Friday, December 31, 2010

"Strasbourg Bridge Petunias", 14x18, oil on canvas, by Maryanne Jacobsen

"Strasbourg Bridge Petunias", 14x18, oil on canvas-$1000 plus $15 s/h

Sur le pont d’Avignon
L'on y danse, l'on y danse

Sur le pont d’Avignon

L'on y danse tous en rond

On the bridge of Avignon
We all dance there, we all dance there
On the bridge of Avignon
We all dance there in a ring

When I was a kid, I used to sing this quaint French folk song in a really bad accent. It's a song about dancing on a bridge in France and although I was never on a bridge as a kid, I was always dancing! Today, I still sing (and dance!) whenever I think of the Strasbourg canal. No, I have never been to Avignon, which is in a different part of France, but I have certainly been to Strasbourg, and it is positively charming with its 5 story plus half-timbered buildings falling dying-swan style into the canal- all while petunias, geraniums and nasturtiums (oblivious to the danger of falling buildings) cascade wildly from every window box in sight!

This is the third time I've painted this scene, but this time I really wanted to make it more realistic in keeping with the cool, soft, light temperature of that lovely place. Strasbourg is a very important city, by the way, in terms of European government; it houses the European Parliament, also known as the Louise Weiss building. But in America, most Americans are kind of clueless about Strasbourg and Louise Weiss, so there's not much purpose in even talking about that famous building, other than the fact that it looks a bit like the Tower of Babel.

I'm happy to say that I would go back to eastern France and the Alsace region in a heartbeat, and maybe someday I will. Anyhow, Le Petite France (Little Paris) is a little enclave of a village situated on a canal on the outskirts of the bustling city of Strasbourg, and that is where I captured this charming photograph that became the inspiration for not one, but three different paintings!


If you are acquainted with my blog, you may have seen the other two paintings, which are both sold. But please tell me what you think of this one, and if you wish to purchase it, just use the PayPal button below.

Buy this painting on PayPal
Price: $1000.00 plus $15.00 s/h
Or, send me an email


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Thursday, December 16, 2010

"Mission Arch", Sale!- 9x12, oil on linen-$95, Mission Capistrano

"Mission Arch" 9x12, oil on Raymar panel-$95

This painting is specially priced at only $95 plus $10 shipping and handling. It is a depiction of one of the old arches at Mission Capistrano in southern California, which I have visited numerous times, and never grow tired of!

Purchase this painting on Paypal by clicking the button below.

Buy this painting on PayPal
Price: $95.00 plus $10.00 s/h
Or, send me an email


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Thursday, December 09, 2010

Motherhood, 16x20, oil on linen, by Maryanne Jacobsen

"Motherhood", 16x20, oil on linen-$1,000

I had painted this same scene about a year ago, in a much smaller format, (9x12) Without going into a lot of detail about the circumstances, the painting ended up looking very different from my original intentions, thanks to the fact that I doubted my own abilities. So for a long time I had wanted to do another one, this time in a larger format, but the weeks and months just passed me by.

Always daunted by the prospect of attempting figurative work, I procrastinated until yesterday. Ironically, I was right smack in the middle of checking the values of the grisaille when the phone rang. It was my sister , informing me that my mother is not expected to live more than a few more days. It was the memories of my sweet, lovely mother than kept me painting late last night, long after I knew it was time to stop.

I finished the painting today, knowing that time was not on my side in terms of continuing to paint wet into wet.

Perhaps I'll eventually go back and refine it further. I do see some things that I'd like to change. But overall, I know it is a good painting in spite of the haste I exerted in order to complete it. I used David Leffel's palette because I have come to realize that there are times to push color and there are times when you shouldn't push the color. And I just wanted this painting to be soft and peaceful. David Leffel's palette consists of colors that I rarely use, like burnt umber, terra rosa, raw umber and naples yellow. Until I become an expert at flesh tones, these earth tones make it easier for me to do a more natural portraiture than using pure color.

Motherhood is not for the feint of heart. As a child growing up in Philadelphia, I recall that there was never one day in my childhood that I did not come home from school to a clean house, a healthy supper and freshly washed and ironed clothes. I feel very sorry for the children of today, many of whom know neither what it's like to have a home-cooked meal or to have two parents. It is not the fault of the mothers that must go out to work. But, it is where we have come as a society, as a result of circumstances beyond our control , that has brought us to the state where children rarely have the same luxuries that I myself experienced and that is very sad.

A huge thank-you to Sara and Ashley and Ellie. Without all three of you this painting could not have come about. That being said, I am dedicating the painting to you, mom, because I could not have painted it without thinking good thoughts of you throughout. Thank-you, mother, du fond de mon coeur, for all that you did to make me the person that I am today.

I love you.

This painting is available for purchase through Paypal. 40 % of the sale price will be donated to Children's Defense Fund in Washington DC. Children's Defense Fund is a non-profit that has worked extensively to help underprivileged children in this country. I have enormous respect for its founder, Marian Wright Edelman who has been a lifelong advocate for underprivileged children, and is the President of Children's Defense Fund. Please visit the CDF site here, and help make a difference for underprivileged children in our country today.

Buy this painting on PayPal
Price: $1000.00 plus free s/h within the United States
Or, send me an email





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Wednesday, December 08, 2010

Untitled- mother and child


I started this painting today, not realizing how significant it would become.

I had no idea I would get this far with it in one day, but that's what happens when you are preoccupied with other things.

It's not completely finished. I'll write more later.

Monday, December 06, 2010

Nostalgia-the tale of an old diary and a painting of a little child

"Renaissance Child", 9x12, oil on linen-not for sale

I have had many people ask to purchase my painting of the little girl above. Truth be known, I can't bear to part with her. I have asked myself why that is. She is certainly not the best painting that I've ever done. But it's that look on her face that makes me certain that I've got to keep her.

I have always had a fascination for things of the past, and this little child in her bonnet is a wisp of history past. I own a diary that was written in 1917 by a child named Mary Elizabeth Althouse, and I'd like to share the story of that diary with you. Increasingly I have become saddened by the state of today's world- and thinking of the gentler time that Mary lived in, just helps to accentuate how far we have gone from that gentler era.

Unlike Mary, the children of today know nothing of crocheting, tatting, and helping out at Orphan's homes. They are glued to their cellphones and TVs and Headsets and communicate via texting, rather than talking. Mary's childhood was an era that preceded two World Wars, global genocides, and genetically modified food. The diary was written one year before one of the greatest plagues in history- a plague which wiped out 50 million people! So this diary, in my mind, and Mary's prim and proper little life, was the cusp of a paradigm shift in life as we now know it.

The following tale of Mary's diary was a 6 year old blog entry into my old blog, (now private) and a phone call last night took me back into the past, so please forgive me for my nostalgia. And if you like my painting of the Renaissance Child, I do hope that you'll visit the Bold Brush Painting contest here, and vote that you like it!




I wrote this entry back in December 2005, in my old blog, "Inside the Gilded Cage," and I had dozens of comments from kind people who enjoyed the story of Mary Elizabeth Althouse's dairy.

Since I never followed up with another entry about this story, I decided it was about time to do so. If you read the entry back then, you’ll probably want to read the postscript at the bottom, even if you skip the entry.

I grew up in a little Quaker town outside of Philadelphia called Lansdowne.

In the 1980's, I was the busy mother of 3 active little boys, and I rarely had an opportunity to visit my old hometown which was located about an hour’s drive away.

My husband, however, went there almost every day.

Ironically, he worked in that little town, although he had never heard of it until the day that he met me.

Anyhow, you’re probably wondering why I’m telling you this, so I’d best get on with it.

One day about 25-30 years ago, my husband was out walking through Lansdowne’s tree-lined streets on his lunch hour and he came across a woman that was having a garage sale on the front lawn of her big Victorian home.

My husband, knowing that I adore old treasures, picked up a little book which he brought home to me that night. It was titled "The Wanamaker Diary, 1917".

In lovely penmanship across the front of the book was written:
Mary Elizabeth Althouse, Sellersville, Bucks County, Pa.

My eyes lit up when I saw that it was a diary, and I quickly read through the pages that documented Mary’s everyday life like a sponge absorbing water.

The first 150 pages of the diary contained Wanamaker business ads, poems, floorplans of every theatre in Philadelphia, and some fascinating information about Indians, dangerous roads in Mexico, the new method of color-coding bands on highways in America according to the direction in which they ran, and how to grow bulbs indoors. There were also all sorts of advertisements from many wholesale stores and businesses, many of which sold their wares through the elite department store called John Wanamaker. That store and its sister department store, Strawbridge and Clothier, were both located on Market Street in downtown Philadelphia, just a few blocks from City Hall, where Billy Penn stares out over the city through eyes shaded from the harsh city lights by the brim of his great wide Quaker hat.

Below is an ad for ‘Skoonas’, the new paper cup sold for soda, as well as an ad for the largest manufacturers of commercial motor vehicles in America in 1917.





But the magic that I derived from that little book had nothing to do with advertisements, as innocuous as they were so long ago. I was riveted to the daily writings of 12 year old Mary Elizabeth Althouse, daughter of Elmer and Margaret Althouse of Sellersville, Pa.

Many years passed after the first reading of Mary’s diary, and I somehow managed to totally forget about it until we moved to Florida in Thanksgiving 2004. As the moving truck pulled out of the driveway, I was suddenly faced with the daunting prospect of trying to find a new home for dozens of boxes of books that towered towards the high ceilings of my new home.

My books have always been like special friends to me, a part of my life that I wanted to keep close by me forever and ever.

My last home had floor to ceiling bookcases in almost every room of that very large house, so finding a comfy spot for each and every book I’ve ever owned was never a problem. But as I stared in frustration at the dozens of precious books that would need to be donated to a library for lack of space, my eyes suddenly caught upon that old musty red book that I had forgotten about over the years.

That is how I picked up little Mary’s story once again and began to read through those pages with a brand new set of eyes and emotions.

For me, the most fascinating aspect of the experience was in reading about how a 12-year-old child spent her days back in 1917.

I found it utterly amazing that she invariably ended up in bed at around 11:30PM or 12 AM every night after a day that was chock full of activities that didn’t include TV, the Internet, movies, organized team sports for girls, or visits to the King of Prussia mall! I’d certainly have thought that kids back then were in bed by 8 o’clock out of sheer boredom!
Mary warmed my heart because she seemed to have been an old-fashioned girl much like another Mary I knew all too well-me- very studious, musical and creative. I changed my name to Maryanne when I was about 20 because I didn't want to deal with the enormity of having the same name as the mother of God, but my birth name is actually Mary. (I blame that one on the nuns who taught me, who always told me how lucky I was to have been named after the Virgin Mother;0) )

Anyhow, her time was totally filled with school, studies, music lessons, church activities, tatting, embroidering, painting, drawing, a scrapbook, a stamp collection, crocheting, making a pocketbook for mama, candy for friends and playing rook with her brother Sam when he came home from his college (Cornell?) in Ithaca.

As I devoured each day of her life in the year 1917 for additional clues about her life I was struck by the following observation.

This child was obviously from a somewhat privileged family, since the family’s frequent jaunts to the theatre in Philadelphia and shopping outings to Allentown were unusual in an era where auto trips were likely a luxury. Yet, beyond those hints of a refined lifestyle, there was much within the scope of her daily activities that painted a picture of a child who was not merely cultured and well-educated, but who also had to contribute to household chores that included lawn mowing, flower planting, ironing clothes and baking goodies for the preacher’s new tenants, as well as going with mama to visit the sick and elderly and orphans.

This demonstrated to me that a privileged child need not be just an entitled child, as much of today’s affluent kids seem to be.

I also observed that Mary wrote almost nothing about her own feelings, thoughts and opinions. Her entry on Thursday, January 4th, 1917 surprised me:

Fair weather today. Went to school. Took my music lesson after school. Mrs. Krug was here for supper. Cousin Helen’s baby suffocated. Spent the evening at home, crocheting and studying. Retired at half past ten.

How strange that she didn’t comment about her feelings regarding the death of the baby! Was it because a woman’s thoughts and opinions meant so little in those days? She recorded the ritualistic performance of her daily mundane feminine tasks of sewing, tatting, baking, etc. with a conscientiousness that would be unusual in a twelve-year-old today. Yet she failed to express one iota of sadness or concern about her second cousin’s untimely death!
Why???????????

Fascinated by the fact that Mary would be over 100 years old if she were still alive today, I began doing research on Mary and her family on the Internet, hoping to discover more clues about her history.

At first I’d awaken at 3 in the morning thinking about her and wondering what type of adulthood she’d had, whether she’d married or become a spinster, and if she had had any children of her own. Suddenly I became determined to find out all that I could about her ancestors and possible survivors and I searched Online for clues regarding her past and her ancestry.

I became somewhat haunted at night by visions of Mary Althouse. Perhaps the essence of her gentle spirit is with me even now, showing me aspects of a much more tranquil and peaceful era of living, in spite of the world war that was quickly gathering momentum within the States at the time, and which she mentioned ever so casually toward the end of her diary. The peacefulness of her lifestyle was evident despite a lack of creature comforts like microwaves and automatic washing machines, and IPODS, and electric mixers for those cookie bakes that Mary had regularly with Cora, whomever she was….

To conclude, as I discover more about Mary, I shall continue to share what I have come to discover.

Postscript: Sadly, I reached a conclusion in regard to discovering whether Mary had any surviving ancestors. I discovered that she married a man named Lloyd Goman in 1931.

They had a child in 1940, and named her Diana Lee. The little girl died 2 years later. Her brother Samuel also married but had no children. There are no ancestors of close descent that I can discover. The entire family is buried in St. Michael’s cemetery in Sellersville, Pa.

I went back to Sellersville in the winter of 2005 to the cemetery. My husband and I walked for at least an hour in the bitter cold wind, searching for Mary's grave. Finally, when we were just about to give up we found the graves of Mary and her family, including the tiny child that passed away. It was a sobering moment- the cold chilling us to the bone and the beautiful steeple of St. Michael's church rising majestically from the twilight on the hillside behind the cemetery.

The past can teach us many lessons, but do we ever learn? Increasingly I worry about the children of today, and my own children's generation. Let us hope that they will learn some lessons from history so that they can live peaceful, happy lives.

Sunday, December 05, 2010

"Moody Bayou", 12x16, by Maryanne Jacobsen, paintings of bayous, atmospheric paintings

"Moody Bayou", 12x16, oil on canvas

A bayou is a body of water typically found in flat, low-lying areas, and can refer either to an extremely slow-moving stream or river (often with a poorly defined shoreline), or to a marshy lake or wetland. Bayous are commonly found in the Gulf Coast region of the southern United States, particularly the Mississippi River region, with the state of Louisiana being famous for them. A bayou is frequently an anabranch or minor braid of a braided channel that is moving much more slowly than the mainstem, often becoming boggy and stagnant, though the vegetation varies by region. Many bayous are home to crawfish, certain species of shrimp, other shellfish, catfish, alligators, and a myriad other species.

The definition above was taken from Wikipedia.

I painted this painting a few months ago, at the height of the Deepwater Horizon Disaster in the Gulf of Mexico. The catastrophe shook me to the core, and for many months I couldn't paint due to depression and headaches that seemed as if they would never stop.

I am not completely over the trauma of the disaster. Although my headaches have certainly abated, just a few weeks ago my husband and I spotted a large bird, probably a heron, on the beach in our little town, it's legs high and stiff in the air and its head buried irreconcilably in the sand- dead as the dead zone off the Louisiana coast. In my heart I knew what had caused its demise, but I didn't dare focus on it anymore. The future is about hope, and faith and endurance, and without these things it is hard to move forward when the going gets tough.

I have never had it tough. I have never had to go without anything. Sometimes that makes me feel incredibly guilty. The inequity in this world is shameful, and yet I hold to the promises of the Sermon on the Mount, where the meek will inherit the earth and the poor in spirit will inherit paradise, and where those who hunger and thirst for righteousness will be filled. Christianity is no longer popular on this planet. That is such a shame to me, because the world needs the teachings of Jesus Christ, the greatest philosopher who ever lived, more than ever before in the history of mankind.

I wish the followers of this blog, regardless of their spiritual proclivities, a very peaceful, joyous Christmas season, and I hope that humanity will someday be joined in total peace and love for each other and for the Creator of this great universe.

Thanks for listening.

If you are interested in this heartfelt painting, please contact Leah Sherman directly at Collector's Gallery and Framery at 941-488-3029.

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Friday, December 03, 2010

"Courtyard Hydrangeas", 9x12, oil on linen, paintings of hydrangeas, palette knife landscapes

SOLD
"Courtyard Hydrangeas", 9x12, oil on wrapped Masterpiece linen -$550 (Note: Click on the image for a better view of the texture.)

I am a huge fan of hydrangeas, but have not had much luck growing them here in a subtropical climate zone.

This painting sold last week to a repeat collector. I hope to do more paintings of blue flowers in the future, as blue is my favorite color:0)

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Thursday, December 02, 2010

"Serendipity", bold color, palette knife floral painting, 12x12, texture by MAryanne Jacobsen

SOLD

"Serendipity", 12x12, oil on wrapped canvas-$325 with free shipping! Add a frame for only $25 and receive the painting ready to give as a gift for the holidays! (Note: Please click on the photo to see a close-up of the texture.)

I haven't done one of these gooey paintings in a while. I call them gooey paintings because there is so much paint on the canvas in the end that it literally seems as though I was icing a cake instead of painting a still life floral! These paintings almost always start out as an attempt to conserve paint. since paint is expensive and I am cheap. I try to save what is left over on my palette from the day's painting session, so I spread all the left over paint on the canvas like icing. This usually results in a thick coating of neutral- colored paint, better known as "mud" to artists like myself who save it. But then my efforts to conserve paint go right out the window, as I inevitably have to start all over again the next day with fresh paint in order to finish the painting!

Here is photo of the painting framed:



Anyhow, this painting was done with a palette knife only and was fun to do. It was serendipitous that I had a bunch of flowers, glass vases and an orange at my fingertips when I started the painting, and so I didn't have to think too much about the subject. If you like thick paint and an abstract approach to subject matter, then you'll probably like this. Please use the PayPal button below to purchase.

Buy this painting on PayPal
Price: $325.00 plus free s/h
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Wednesday, December 01, 2010

"Friendship Offering", 9x12, oil on gallery wrapped canvas, floral painting by Maryanne Jacobsen

SOLD
"Friendship Offering", 9x12, oil on gallery-wrapped canvas-$250 with free shipping for the holidays!

After a busy couple of weeks, it was good to get back to painting today! It was wonderful spending time with loved ones and friends over the holidays, but it's always a bit of a relief to get back to normal , too.

This past week was a busy one, but one that will leave many cherished memories in my mind. Over the weekend we invited friends to the house for dinner and a special friend brought me some lovely autumn flowers. Today I decided that I could not let them go to waste, so I painted them, adding the tangelo and grapes, as you can see below:


This painting was done in earth colors, on gallery wrapped canvas. I painted the sides to match the scene, so a frame is not required. It would make a lovely holiday gift and is specially priced for the Christmas season, including free shipping! Please use the Paypal button below, if you wish to purchase this painting. It will be mailed as soon as it is dry, but please allow at least a week to ship!

Buy this painting on PayPal
Price: $250.00 plus free s/h
Or, send me an email





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