Thursday, May 31, 2007

Dave and Kylie, oil on linen

Not for sale David and Kylie, 8x10, oil on Belgian linen



I painted this one to give as a gift to my son's lovely significant other, Sara. The man in the picture is my son, and the baby is Sara's little niece Kylie. I painted it from a picture that was taken at Sara's graduation celebration recently. Sara received her Master's degree from Boston University. She hasn't seen the painting yet since it has been drying, but hopefully she'll enjoy getting a painting of two of her very favorite people!

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Tuesday, May 29, 2007

Happy Valley, 12x24

SOLD "Happy Valley"- 12x24, oil on masonite panel



I titled this new painting Happy Valley because I think it would be impossible to be unhappy if one lived in such a pretty place!



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Friday, May 25, 2007

The Nook, Pennsylvania landscape, 16x20



"The Nook", oil on gallery-wrapped canvas, 16x20

This is a painting I did last winter of a scene from the backyard of my old house in Chester Springs, Pa. I was never happy with how the painting came out, so I pulled it out this week and worked on it some more. I added some glazes, falling leaves and a sunbeam and it looks really pretty now. I also just discovered that my old house has gone on the market recently. I'd always thought I'd try to buy it back if it ever came on the market, but now I realize that I'm totally hooked on the blue skies and eternal sunshine that we have 95% of the time here in Southwest Florida. So I'll keep my lovely memories of Pennsylvania tucked away in my brain, and stay put here in the Sunshine state.



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Thursday, May 24, 2007

Old boat on the Intracoastal, plein air



"Tethered", 12x16, oil on masonite


This painting of a little boat on the Florida Intracoastal was painted en plein air last spring, when I'd first began painting. It has very soft colors throughout and broken color in the water.





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Tuesday, May 22, 2007

Breathtaking, bold impasto

SOLD
"Breathtaking", 12x16, oil on Raymar panel

I'd painted this a few weeks back, but wasn't totally happy with it. So I added the baby's breath to break up the intensity of the blue and redcolors and it finally came to life!

This is an example of what is hard about daily painting. In order ot get a piece just right, it often takes days and even weeks to perfect a work. To paint a piece in one day and post it as well, is difficult for me , and I know other artists who share my feelings.

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Friday, April 27, 2007

The Poppy Field, Impressionist oil painting

SOLD
"The Poppy Field", 7x9, oil on canvas - Note:) Please click on the painting to see more detail.)
This was one of those cool paintings that painted itself.I love when that happens!

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Saturday, April 21, 2007

"Side Entrance", A Glimpse of Spring

SOLD
"Side Entrance", 14x18, oil on canvas

Tired of Old Man Winter? Spring is here, but who'd know it? When I lived in Chester Springs, Penna. I would take a daily three mile walk that included a stretch of the old historic Horseshoe Trail hiking path. Along that road there was a lovely old house that would look rather drab all winter and then suddenly come to life with the arrival of Spring and her May azaleas. The side entrance to the house had a little meandering path that was flanked by azaleas and rhododendren. An old lamp post completed the picture postcard scene. I decided to paint the scene shortly after moving to Florida in order to keep the beauty of that little town alive in my memory forever.


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Monday, April 16, 2007

Tea and Lemon, a study in blue & yellow

SOLD "Tea with Lemon", 12x16 , oil on Raymar panel
This still life begs to ask the question, "Where's the biscotti?" Indeed, I had to take the biscotti jar and its contents away as I painted this picture, because I simply cannot resist dipping stick after stick of delicious biscotti into my tea. Normally, it's not much of a problem, but when painting it's best to just keep a paintbrush in the hands!

The tablecloth has a nice feeling of rough starched linen to it, and the grouping of the plain blue cup, bottle of water, biscotti jar lid and yellow lemons, make a statement of simplicity that is both soothing and elegant at exactly the same time.



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Friday, April 13, 2007

Blue and Pink, still life realism

"Blue and Pink"- oil on linen, 9X12

This painting was a great deal of fun for me to do-probably because I enjoyed painting the flowers so much. Although the majority of the painting was based on the chiaroscuro school of realism, I delved somewhere between impressionism and realism when I painted the flowers, and the result is that the brushstrokes are really quite lovely in person.
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Friday, September 22, 2006

Barges on the Thames, A Painting a Day


I have found that whenever I feel as though I’ve hit a plateau as a painter, I become depressed and negative about myself quickly. In the past, whenever this happened to me I discovered that a switch in medium is often exactly what is required in order to cure the condition. Switching from oils to acrylics this past summer produced a number of fine acrylic paintings that I was quite proud of. Along the same vein, I decided this week that I needed a little change from oils.

So last night I started with a pencil sketch of two boats, in order to get the values right.





Then I took out my watercolors and painted “Barges on the Thames-Dawn”.




If you’re unfamiliar with these bewitching British boats, here’s a short history:

Thames sailing barges, with their massive sails, were a type of commercial sailing boat common on the River Thames in London in the 19th century. Because they were flat-bottomed, barges were perfectly adapted to the Thames Estuary with its shallow waters and narrow rivers. These fine old ships, with their distinctive red ochre sails, evoke an era long since past. They were once the East Coast of England’s traditional cargo vessel, and at the turn of the century the fleet numbered over 2,000. Yet today only a handful survive. You can see them in museums in England and particularly in the seaports from Essex to Norfolk, where a few have been lovingly restored by barge clubs, who sail them strictly for pleasure. To learn more about them, you can also go :here


This painting was a real switcheroo for me, and not just because of the medium. I finally forced myself to stick with only three transparent primary pigments. Since watercolor is such a capricious mistress, I also forced myself to put the paintbrush down and leave it alone this morning. I wanted to keep the water and sky irrelevant and focus attention solely on the boats. You can click on the picture to see more detail.

The painting is signed on the front and also comes with a certificate of authenticity.

SOLD

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