"Red Onion", 6x6
Painted as Day 2 of my challenge to paint something from life every day.
Here's my reference:
My son made the shadow box for me a few years ago and it has really come in handy!
Email me if you are interested in this little gem. My email is maryannejacobsen@aol.com.
Have a great Sunday!
Showing posts with label Maryanne JAcobsen. Show all posts
Showing posts with label Maryanne JAcobsen. Show all posts
Sunday, February 03, 2019
"Red Onion", 6x6, oil on panel, onion, food as art, red, red onion, allaprima, painting every day, Maryanne Jacobsen, small studies, art practice, painting from life
Thursday, November 15, 2018
"Four Dog's Afternoon", 12x16, oil on copper panel, Four Dogs Tavern, paintings on copper, quickdraw, Marshalton, Pennsylvania, plein air Brandywine valley, historic buildings , interesting architecture, Chester county Pennsylvania paintings, Maryanne Jacobsen original art
"Four Dog's Afternoon", 12x16, oil on copper panel
Just returned from a fun week of painting in Pennsylvania with the Plein Air Brandywine Valley festival which benefits the Children's Beach House.
It's an event I look forward to, because it gives me an opportunity to paint in the beautiful fall weather in a gorgeous countryside that I know well.
One of the highlights of the week was the Quick Draw event, in which painters are required to complete a painting in two hours and have it framed and hung for the public display. The event was held in the scenic and historic village of Marshallton, which is just outside of West Chester Pa.
I chose to paint at the Four Dogs Tavern because it has always been our favorite restaurant to visit with friends and family when we lived in Chester County, and now whenever we happen to be in the area. The tavern once served as a stables for the historic Marshalton Inn which is right across the driveway.
The afternoon was sunny and fairly warm and I enjoyed portraying this old building because it has come to reflect many happy memories over the years of gatherings with friends and loved ones.
To learn more about the little town of MArshallton and its history, here is a very interesting article: Living History: A tale of two names, Marshallton and the Marshalton Inn
To inquire about the painting, just send me an email at maryannejacobsen@aol.com.
Just returned from a fun week of painting in Pennsylvania with the Plein Air Brandywine Valley festival which benefits the Children's Beach House.
It's an event I look forward to, because it gives me an opportunity to paint in the beautiful fall weather in a gorgeous countryside that I know well.
One of the highlights of the week was the Quick Draw event, in which painters are required to complete a painting in two hours and have it framed and hung for the public display. The event was held in the scenic and historic village of Marshallton, which is just outside of West Chester Pa.
I chose to paint at the Four Dogs Tavern because it has always been our favorite restaurant to visit with friends and family when we lived in Chester County, and now whenever we happen to be in the area. The tavern once served as a stables for the historic Marshalton Inn which is right across the driveway.
The afternoon was sunny and fairly warm and I enjoyed portraying this old building because it has come to reflect many happy memories over the years of gatherings with friends and loved ones.
To learn more about the little town of MArshallton and its history, here is a very interesting article: Living History: A tale of two names, Marshallton and the Marshalton Inn
To inquire about the painting, just send me an email at maryannejacobsen@aol.com.
Saturday, September 16, 2017
"Bougainvillea Riot", 11x14, oil on panel, Mission San Juan Capistrano, Palette knife painting, colorist art, Maryanne Jacobsen art, The Mission Walker, Edie Littlefield Sundby, Hurricane Irma, Historic California Mission Trail, impressionist art
"Bougainvillea Riot", 11x14, oil on panel
Well we weathered Hurricane Irma without losing much, except our energy and a little patience.
One thing that the storm made me realize, as we boarded up the house and made plans to evacuate was this- I have too many paintings in my house!
I figured that they wouldn't last if they were on the walls and a 150 mph wind gust tore off our roof. They also wouldn't have faired well during a storm surge, especially since we are so close to the Gulf of Mexico. So I had a really hard time trying to figure out what to do with the many paintings that I have in my home. In the end, I vowed to offer some of my older works for sale through my blog after the storm passed.
This is a painting that I did quite a few years ago, in the days when I only used a palette knife. Many collectors prefer my older work to some of my newer stuff, so here's a chance to own one of my older works that may have missed the cut in terms of shows or galleries.
This is a painting of the courtyard at the incredibly beautiful Mission San Juan Capistrano in California. I have done paintings of this mission many, many times, and the truth is that I never offered this particular painting to the public before because I think I forgot that I had it! Anyway, the storm helped me find it again, lol.
I have been reading "The Mission Walker", by Edie Littlefield Sundby. It is an amazing testament of faith and endurance that this woman, given only three months to live due to gallbladder cancer, refused to accept her diagnosis and went on to not only recover, but to walk the entire 800 mile Historic California Mission Trail! I have always loved the California Missions and have visited half a dozen of them while in California, but this book and this brave woman's story have re-affirmed my own confidence in the peace and serenity that these beautiful places imbibe into the spirits of those who partake of their beauty.
So I am now determined to paint a few more paintings of the missions, and hopefully do justice to their beauty along the way.
Thanks for your prayers during Hurricane Irma. It was a wild ride, but we are stronger in faith and happier to be alive now!
If you are interested in this painting, just send me an email at maryannejacobsen@aol.com.
Friday, February 03, 2017
"Stormy Seas", after Ivan Aivazousky, 8x10, Susan Ploughe workshop, waves, boats, ships, storms, seascapes, Maryanne Jacobsen
"Stormy Seas", after Ivan Aivazousky, 8x10
On the third and last day of the excellent Susan Ploughe workshop that I took this week, the topic was waves. I rarely paint waves for a couple reasons. Firstly, they are HARD!!!!!! Second, we really don't have hardly any waves to observe here on the west coast of Florida (Gulf of Mexico) so I don't practice them. Our waters are pretty calm, with the exception of the occasional hurricane. Third, I have often thought that many paintings of waves were rather boring. That was until Wednesday, when Susan showed us a slideshow of how different artists handle waves and I was introduced to Ivan Aivazousky.
Whoa!!!!!! Can I say jaw-dropping, exceptional, mind-blowing beauty? I googled him that night to find out more about him and turns out he is considered one of the greatest maritime artists of all time!
Ivan Aivazovsky was born in 1817 into an Armenian family in the Black Sea port of Feodosia in Crimea and was mostly based there. He died in 1900 and evidently studied the sea extensively throughout his lifetime, producing the most incredibly gorgeous seascapes I have ever seen.
So as with the other days of the workshop, after Susan's demo, we were given chance to choose which wave photo we wanted to paint and how could I resist this?
Original work of Aivazousky above.
I struggled quite a bit with this one. Painting the delicate tracings of foam on the water almost made me cry, but in the end, I learned so much just from trying to copy the work of a true master.
I am going to continue to practice painting the sea, and maybe someday I'll find it less intimidating.
I highly recommend Susan's workshop "Waterways", if you want to learn some of the many intricacies of painting water in all of of it's delightfully daunting forms.
On the third and last day of the excellent Susan Ploughe workshop that I took this week, the topic was waves. I rarely paint waves for a couple reasons. Firstly, they are HARD!!!!!! Second, we really don't have hardly any waves to observe here on the west coast of Florida (Gulf of Mexico) so I don't practice them. Our waters are pretty calm, with the exception of the occasional hurricane. Third, I have often thought that many paintings of waves were rather boring. That was until Wednesday, when Susan showed us a slideshow of how different artists handle waves and I was introduced to Ivan Aivazousky.
Whoa!!!!!! Can I say jaw-dropping, exceptional, mind-blowing beauty? I googled him that night to find out more about him and turns out he is considered one of the greatest maritime artists of all time!
Ivan Aivazovsky was born in 1817 into an Armenian family in the Black Sea port of Feodosia in Crimea and was mostly based there. He died in 1900 and evidently studied the sea extensively throughout his lifetime, producing the most incredibly gorgeous seascapes I have ever seen.
So as with the other days of the workshop, after Susan's demo, we were given chance to choose which wave photo we wanted to paint and how could I resist this?
Original work of Aivazousky above.
I struggled quite a bit with this one. Painting the delicate tracings of foam on the water almost made me cry, but in the end, I learned so much just from trying to copy the work of a true master.
I am going to continue to practice painting the sea, and maybe someday I'll find it less intimidating.
I highly recommend Susan's workshop "Waterways", if you want to learn some of the many intricacies of painting water in all of of it's delightfully daunting forms.
Labels:
8x10,
boats,
Ivan Aivazousky,
Maryanne JAcobsen,
seascapes,
ships,
storms,
Susan Ploughe workshop,
waves
Tuesday, November 03, 2015
"The Little Church in Chester Springs", 8x10, oil on panel, plein air, Chester Springs, Pennsylvania, fall foiliage, paintings of churches, St. Matthews Church of Christ, autumn landscapes, Maryanne JAcobsen art
"The Little Church in Chester Springs", 8x10, oil on panel, plein air
Last week the leaves in Pennsylvania were at their peak of glory. So it was with a happy heart that I went out each day and painted the beauty that was truly everywhere. When I lived in Chester Springs, I passed the little St. Matthews Church of Christ on the corner of 401 and St. Matthews Rd. almost everyday, but it wasn't until I left the area, became an artist, and then returned to the area, that I realized how much it needed to be painted!
It's an incredibly scenic little church, with a graveyard in the side lawn, and I knew I had to paint it while I was there.
Route 401 is a fairly busy country road, so I set up on the other side of the road, as far back from the highway as I could. The sun was on the left side of the building and so the light effect was really nice as it hit the tops of the trees.
Below, you can see how much the light had changed by the time I finished the painting...
When I got back home to Florida, I realized that I had forgotten the little red maple in the front yard, so I added it to the painting afterwards and tweaked some additional areas, but overall, it was done mostly on location.
I hope you like it! Send me an email at maryannejacobsen@aol.com if you have any interest in this painting!
Last week the leaves in Pennsylvania were at their peak of glory. So it was with a happy heart that I went out each day and painted the beauty that was truly everywhere. When I lived in Chester Springs, I passed the little St. Matthews Church of Christ on the corner of 401 and St. Matthews Rd. almost everyday, but it wasn't until I left the area, became an artist, and then returned to the area, that I realized how much it needed to be painted!
It's an incredibly scenic little church, with a graveyard in the side lawn, and I knew I had to paint it while I was there.
Route 401 is a fairly busy country road, so I set up on the other side of the road, as far back from the highway as I could. The sun was on the left side of the building and so the light effect was really nice as it hit the tops of the trees.
Below, you can see how much the light had changed by the time I finished the painting...
When I got back home to Florida, I realized that I had forgotten the little red maple in the front yard, so I added it to the painting afterwards and tweaked some additional areas, but overall, it was done mostly on location.
I hope you like it! Send me an email at maryannejacobsen@aol.com if you have any interest in this painting!
Thursday, June 11, 2015
"Hazy Beach Day", 6x6, oil on board, Maryanne Jacobsen, beach paintings, hazy day, little girls at the beach, red bucket, sand, waves, surf, impressionism
"Hazy Beach Day", 6x6, oil on board
I've been studying the paintings of the 19th century impressionists and the beautiful way in which they handled water and clouds. Water, like clouds, is something that is hard to paint from life, for the simple reason that both clouds and water are moving constantly.
The best we can do as artists is to try to paint the movement of water with some degree of passion and emotion, otherwise, the water has no movement and appears lifeless. The best we can do when painting clouds, is to try to portray their ethereal qualities with a light hand, as clouds have no borders. As Don Quixote said in Man of La Mancha, (though he wasn't speaking of clouds, but of the hem of Dulcinea's garment), they are like gossamer, sheer, gauze-like, yet having substance that changes constantly through varying times of day and light temperatures.
In this painting, my goal was to create that warm hazy light that we sometimes get on summer days, when the sun is trying to break through, but isn't quite there yet.
I hope you enjoy this painting, because I enjoyed painting it!
I've been studying the paintings of the 19th century impressionists and the beautiful way in which they handled water and clouds. Water, like clouds, is something that is hard to paint from life, for the simple reason that both clouds and water are moving constantly.
The best we can do as artists is to try to paint the movement of water with some degree of passion and emotion, otherwise, the water has no movement and appears lifeless. The best we can do when painting clouds, is to try to portray their ethereal qualities with a light hand, as clouds have no borders. As Don Quixote said in Man of La Mancha, (though he wasn't speaking of clouds, but of the hem of Dulcinea's garment), they are like gossamer, sheer, gauze-like, yet having substance that changes constantly through varying times of day and light temperatures.
In this painting, my goal was to create that warm hazy light that we sometimes get on summer days, when the sun is trying to break through, but isn't quite there yet.
I hope you enjoy this painting, because I enjoyed painting it!
Labels:
6x6,
beach paintings,
hazy day,
little girls at the beach,
Maryanne JAcobsen,
oil on board,
red bucket,
sand,
surf,
waves
Thursday, October 09, 2014
"Peaches and Cream", 16x20, oil on linen, paintings of fruit, roses, peaches, blue, award-winning art, Maryanne Jacobsen , impressionism
"Peaches and Cream", 16x20, oil on linen
I painted this one a while back and at the last minute I decided to enter it into the Venice Art Center's "Tutti Fruitti" competition. The only requirement was that fruit be included in the design.
I was pleased to find out that the painting received an honorable mention in the exhibit last month. I was in very good company on the wall with the ribbons as Hodges Soileau won first place, Bill Farnsworth won second and Jeff Cornell won third. My friend and avid plein air painter Karen Hitt also received an honorable mention. It was a great show with hundreds of entries so I was pleased to receive a ribbon. Thanks to Judge Diane Mannion for choosing this painting for a ribbon.
I painted this one a while back and at the last minute I decided to enter it into the Venice Art Center's "Tutti Fruitti" competition. The only requirement was that fruit be included in the design.
I was pleased to find out that the painting received an honorable mention in the exhibit last month. I was in very good company on the wall with the ribbons as Hodges Soileau won first place, Bill Farnsworth won second and Jeff Cornell won third. My friend and avid plein air painter Karen Hitt also received an honorable mention. It was a great show with hundreds of entries so I was pleased to receive a ribbon. Thanks to Judge Diane Mannion for choosing this painting for a ribbon.
Sunday, August 31, 2014
"Rocky Cove", 16x20 , oil on canvas, Cape Ann paintings, seascapes, Rockport, Massachusetts, Impressionism, rocks, Atlantic, Maryanne Jacobsen art
"Rocky Cove", 16x20 , oil on canvas
Sometimes I enjoy painting a scene so much that I can't wait to try it again! In this case, it was the scene overlooking Gap Cove in Rockport that I wanted to try again. I painted it en plein air when I was there a couple weeks ago, and so the scene was fresh in my mind.
Once again I decided to make the pretty house on Gap Head Road my focal point, and I decided to define the rocks a little more carefully than I had done the first time.
I will concede that painting en plein air is challenging because you must work very fast to capture the elements, and retain the original concept even as the light is changing. The benefit, however, is that the artist does not have a chance to mull over decisions regarding color mixing, value, composition- anything! You either nail it or you don't! That is why plein air work can either look incredibly fresh and spontaneous, or else be a disaster!
In the case of the painting that I did that day, I was very happy with it, so I thought it would be fun to try a bigger version. What I noticed was that I found myself overthinking decisions that I had made instantaneously the first time I'd painted the scene. I found myself playing around with the greenery in the foreground to the extent that it made the foliage seem more strained and conspicuous than the first time I'd painted it. I also had too many color choices, whereby I had substantially limited my palette when I'd painted it that day on location.
In short, I have slowly but surely become an avid proponent of plein air painting, as a result of understanding its benefits. It has taken me 6 years to get comfortable with painting on location, and I will admit that once you get there, painting in the studio is always a little bit of a disappointment. Without the sound of the seagulls screeching in the background, and the waves lapping the rocks, the music that I normally play while painting didn't quite do it for me any more. Without the warm sun playing over my shoulders and the crisp blue sky above me, the mixture of light sources in the studio become almost confusing.
In short, although I was somewhat happy with this painting, I know the first painting was better even though it only took me one hour and this one took me 5 hours. I can't wait until the heat of this Florida summer breaks somewhat, so I can get back outdoors and paint another tiny piece of God's glorious creation. Thanks for reading.
Sometimes I enjoy painting a scene so much that I can't wait to try it again! In this case, it was the scene overlooking Gap Cove in Rockport that I wanted to try again. I painted it en plein air when I was there a couple weeks ago, and so the scene was fresh in my mind.
Once again I decided to make the pretty house on Gap Head Road my focal point, and I decided to define the rocks a little more carefully than I had done the first time.
I will concede that painting en plein air is challenging because you must work very fast to capture the elements, and retain the original concept even as the light is changing. The benefit, however, is that the artist does not have a chance to mull over decisions regarding color mixing, value, composition- anything! You either nail it or you don't! That is why plein air work can either look incredibly fresh and spontaneous, or else be a disaster!
In the case of the painting that I did that day, I was very happy with it, so I thought it would be fun to try a bigger version. What I noticed was that I found myself overthinking decisions that I had made instantaneously the first time I'd painted the scene. I found myself playing around with the greenery in the foreground to the extent that it made the foliage seem more strained and conspicuous than the first time I'd painted it. I also had too many color choices, whereby I had substantially limited my palette when I'd painted it that day on location.
In short, I have slowly but surely become an avid proponent of plein air painting, as a result of understanding its benefits. It has taken me 6 years to get comfortable with painting on location, and I will admit that once you get there, painting in the studio is always a little bit of a disappointment. Without the sound of the seagulls screeching in the background, and the waves lapping the rocks, the music that I normally play while painting didn't quite do it for me any more. Without the warm sun playing over my shoulders and the crisp blue sky above me, the mixture of light sources in the studio become almost confusing.
In short, although I was somewhat happy with this painting, I know the first painting was better even though it only took me one hour and this one took me 5 hours. I can't wait until the heat of this Florida summer breaks somewhat, so I can get back outdoors and paint another tiny piece of God's glorious creation. Thanks for reading.
Saturday, March 01, 2014
"Morning in Umbria", 12x24, oil on canvas, vineyards, paintings of Umbria, Italy, Tuscany, rolling fields, plaette knife landscapes, maryanne jacobsen
SOLD
"Morning in Umbria", 12x24, oil on canvas
On the knolls where the vineyards and fruit-gardens are
"Morning in Umbria", 12x24, oil on canvas
On the knolls where the vineyards and fruit-gardens are
There's a beauty that even the drought cannot mar;
For I noticed it oft, in the days that are lost,
As I trod on the siding where lingered the frost,
When the shadows of night from the gullies were gone
And the hills in the background were flushed by the dawn.
-from "Above Eurunderee" by Henry Lawson
There is something lovely about a vineyard in the morning light. The earth breathes out color and abundance and the promise of the ripened vine, which will bring forth the delightful wine that helps celebrate our victories while comforting our sorrows.
This painting was done with palette knife and brush and has passages of brilliant color interspersed with the neutrals of the receding hills.
This painting is available through Gallery 444 in San Francisco. You may contact them at for pricing information at (415) 434-4477.
Thanks for visiting my blog today. Please check out more of my work at Maryanne Jacobsen Fine Art.
Friday, February 07, 2014
"Her Garden", 24x24, oil on canvas, paintings of gardens, women in gardens, summer gardens, florals, romanticism, art for romantics, Maryanne Jacobsen
"Her Garden", 24x24, oil on canvas
My garden has always been very special to me. A sanctuary for birds, a place to write down my deepest thoughts, a sunny spot on a cool day, and a shady refuge on a warm day.
I've had many gardens throughout my life. My favorite garden was in my last home in Chester Springs, Pennsylvania. The geese would parade through the denser parts as they headed for the pond behind my home. The deer would gather in droves in the winter months, looking for berries as they sauntered like dancers among the brambles.
From my office, I would stare through the window at the abundance of wildlife proliferating in own back yard and yearn for the day when I would no longer need to be trapped at a desk, but would be free to spend time to my heart's content just tending the roses, pulling weeds from the throats of the holly hocks and wallowing in the splendor of the velvety grass beneath my feet.
Today, my garden is different. The pastels of the north have been replaced by the warm , sultry palette of tropical flowers, and palm trees have replaced the deciduous trees that housed blue jays, hawks and robins.
It hardly matters where I have my garden. I will always treasure the gift of the flowers' scent and the birds that warble in different notes of bird languages.
Very happy to be represented by Gallery 444 in Union Square, San Francisco. This painting is available through the gallery by calling (415) 434-4477
My garden has always been very special to me. A sanctuary for birds, a place to write down my deepest thoughts, a sunny spot on a cool day, and a shady refuge on a warm day.
I've had many gardens throughout my life. My favorite garden was in my last home in Chester Springs, Pennsylvania. The geese would parade through the denser parts as they headed for the pond behind my home. The deer would gather in droves in the winter months, looking for berries as they sauntered like dancers among the brambles.
From my office, I would stare through the window at the abundance of wildlife proliferating in own back yard and yearn for the day when I would no longer need to be trapped at a desk, but would be free to spend time to my heart's content just tending the roses, pulling weeds from the throats of the holly hocks and wallowing in the splendor of the velvety grass beneath my feet.
Today, my garden is different. The pastels of the north have been replaced by the warm , sultry palette of tropical flowers, and palm trees have replaced the deciduous trees that housed blue jays, hawks and robins.
It hardly matters where I have my garden. I will always treasure the gift of the flowers' scent and the birds that warble in different notes of bird languages.
Very happy to be represented by Gallery 444 in Union Square, San Francisco. This painting is available through the gallery by calling (415) 434-4477
Friday, November 29, 2013
Holiday Treasures! , small affordable art, original art, holiday gifts, holiday treasures, little gems
Holiday Gems! The four paintings above, can all be purchased individually. They were painted with the holidays in mind and would make lovely gifts for that special someone on your list. Each painting is beautifully framed in keeping with the paintings' characteristics and can be shipped to you in time for Christmas. Please see details below.
"Pigtails and Teddy Bears", 8x8, oil on panel framed in a wide gold frame.- $400
This painting would be an ideal gift from grandmom for that special little girl in your life. Imagine her waking up in her room each day and looking at the painting on her wall and being reminded of her beloved Gandmom! It is available through the Debra Huse "Holiday Treasures" Salon, which is being held at the Debra Huse Gallery on Balboa Island, California. Please see here for more info about the show, and if you cannot attend next week's reception, please call the gallery at 949-723-6171 to purchase online or follow this link: How to purchase online.
"Red House, Swim Beach", 6x6, framed-$300
The Red House on Monhegan Island is known by every resident or tourist that has ever visited Monhegan Island. It was immortalized first by the Wyeth family of artists and has undergone various changes in structure over the years since it was built. Nonetheless, its location on Swim Beach overlooking the tiny island of Manana will never change and it would make a lovely gift for anyone seeking to recall memories of vacations, honeymoons or moonlit jaunts by boat to Monhegan's incredibly beautiful and eclectic island landscape. This painting and two others have been selected to be in Randy Higbee's annual 6x6 inch squared show, held at Randy's Gallery in Costa Mesa , California. It is my understanding that this is THE art event of the season, so if you are in the area, please attend the opening reception next Saturday, December 7th.
If you are not in the area and would like to purchase this painting, please go here for an online PAypal link. It is my understanding that Randy is offering a 15% discount to other artists in the show, so if you have been wanting to collect one of my pieces of art, and like the one above, by all means call Randy's gallery at and take advantage of this special!
"Scaredy Cat", 6x6, oil on panel, framed- $300
What's not to like about a little kitten with a penchant for mischief and an adorable face? This little gem would make a lovely gift for that cat-lover in your life. It is also available through the Randy Higbee Gallery's annual show. If you cannot attend the show but wish to purchase online, just go here and hit the button and it will take you to the Paypal link.
Thanks for visiting my blog and Happy Thanksgiving!
"Pigtails and Teddy Bears", 8x8, oil on panel framed in a wide gold frame.- $400
This painting would be an ideal gift from grandmom for that special little girl in your life. Imagine her waking up in her room each day and looking at the painting on her wall and being reminded of her beloved Gandmom! It is available through the Debra Huse "Holiday Treasures" Salon, which is being held at the Debra Huse Gallery on Balboa Island, California. Please see here for more info about the show, and if you cannot attend next week's reception, please call the gallery at 949-723-6171 to purchase online or follow this link: How to purchase online.
"Red House, Swim Beach", 6x6, framed-$300
The Red House on Monhegan Island is known by every resident or tourist that has ever visited Monhegan Island. It was immortalized first by the Wyeth family of artists and has undergone various changes in structure over the years since it was built. Nonetheless, its location on Swim Beach overlooking the tiny island of Manana will never change and it would make a lovely gift for anyone seeking to recall memories of vacations, honeymoons or moonlit jaunts by boat to Monhegan's incredibly beautiful and eclectic island landscape. This painting and two others have been selected to be in Randy Higbee's annual 6x6 inch squared show, held at Randy's Gallery in Costa Mesa , California. It is my understanding that this is THE art event of the season, so if you are in the area, please attend the opening reception next Saturday, December 7th.
If you are not in the area and would like to purchase this painting, please go here for an online PAypal link. It is my understanding that Randy is offering a 15% discount to other artists in the show, so if you have been wanting to collect one of my pieces of art, and like the one above, by all means call Randy's gallery at and take advantage of this special!
"Scaredy Cat", 6x6, oil on panel, framed- $300
What's not to like about a little kitten with a penchant for mischief and an adorable face? This little gem would make a lovely gift for that cat-lover in your life. It is also available through the Randy Higbee Gallery's annual show. If you cannot attend the show but wish to purchase online, just go here and hit the button and it will take you to the Paypal link.
"Rat Boat Reflections", 6x6, oil, framed- $300
Last but not least, who can resist a Rat Boat? This little old wooden dory makes its home on Cape Ann , in the Rockport Harbor, and a trip to Rockport would not be complete if I did not make sure that this little dory is still floating peacefully in the harbor, waiting patiently for its chance to fulfill its duties. A must-have for any old boat aficionado!
To purchase "Rat Boat Reflections", please follow this link to purchase via Paypal.
Thanks for visiting my blog and Happy Thanksgiving!
Friday, October 18, 2013
"Afternoon Marsh, Shem's Creek", plein air, 9x12, Mt. PLeasant, Charleston, boats, marshes, plein air, paint out, plein air, American Impressionist Society
SOLD
"Afternoon Marsh, Shem's Creek", plein air, 9x12
This is a painting that I did in about one hour at Shem's Creek, in Mt. Pleasant, just a short drive from Charleston , South Carolina. It was the last day and afternoon of a three day American Impressionist Society workshop with Master Impressionist Kenn Erroll Backhaus. I can attest to the fact that Kenn is one of the best teachers that I have ever taken a workshop from. He was religious about making sure that he came around to every single person who was painting, offering pointers, gentle criticisms and asking questions that the painter may have inadvertently forgotten to ask himself!
In this painting, Kenn pointed out to me that the reverse "C" curve was too carefully crafted, making it look artificial. He asked me if I had intended it that way, and I was honest. I told him I was really tired and hadn't thought it through that all that much. So after studying it for a few moments, I realized that he was right and quickly made a few corrections, in order to make a stronger composition.
I liked the color harmony in this little study. It is a testament to the fact that it is always a good thing to keep scraping your paint and use whatever you have left on your palette to help objects recede and form your "polluted" colors.
I loved Kenn's workshop and everything about the experience in Charleston. If you have not yet seen the gorgeous exhibit of the American Impressionist Society online, please go here to see all of the paintings, including the big winners in the show.
If you would like to purchase this little plein air study, just send me an email at maryannejacobsen@aol.com.
"Afternoon Marsh, Shem's Creek", plein air, 9x12
This is a painting that I did in about one hour at Shem's Creek, in Mt. Pleasant, just a short drive from Charleston , South Carolina. It was the last day and afternoon of a three day American Impressionist Society workshop with Master Impressionist Kenn Erroll Backhaus. I can attest to the fact that Kenn is one of the best teachers that I have ever taken a workshop from. He was religious about making sure that he came around to every single person who was painting, offering pointers, gentle criticisms and asking questions that the painter may have inadvertently forgotten to ask himself!
In this painting, Kenn pointed out to me that the reverse "C" curve was too carefully crafted, making it look artificial. He asked me if I had intended it that way, and I was honest. I told him I was really tired and hadn't thought it through that all that much. So after studying it for a few moments, I realized that he was right and quickly made a few corrections, in order to make a stronger composition.
I liked the color harmony in this little study. It is a testament to the fact that it is always a good thing to keep scraping your paint and use whatever you have left on your palette to help objects recede and form your "polluted" colors.
I loved Kenn's workshop and everything about the experience in Charleston. If you have not yet seen the gorgeous exhibit of the American Impressionist Society online, please go here to see all of the paintings, including the big winners in the show.
If you would like to purchase this little plein air study, just send me an email at maryannejacobsen@aol.com.
Tuesday, September 24, 2013
"Venetian Light", 12x16, oil on masonite, Venice study, gondolier, Venice, Italy, canals
This was a quick study of a complex scene. I wanted to simplify the scene so that the light was the dominant centerpiece of the scene, rather than getting bogged down in a lot of details. I also experimented with some earth colors like raw sienna and terra rosa, and found it advantageous to have earth colors on the palette when painting the ochres of Venice.Considering it only took a couple hours, I wasn't disappointed with it, since I accomplished what I had set out to do.
If you are interested in purchasing this painting, please send me an email at maryannejacobsen@aol.com.
Labels:
canals,
gondolier,
Italy,
Maryanne JAcobsen,
Venice,
Venice study
Monday, September 17, 2012
"Three's Company", 8x10, oil on wrapped Belgian linen-paintings of roses, oranges, pink roses, impressionist roses, impasto, MAryanne Jacobsen
"Three's Company", 8x10, oil on wrapped Belgian linen
I haven't done a floral in a long while and was in the mood to do one, so today I bought some reduced roses at the market and set to work!
Here's my set-up:
I got a late start and the light was rather poor so I had to work fast. I enjoyed doing these as a change of pace. I think it's good to mix things up periodically so as to not get into a rut.
"Three's company" has thick paint throughout. If you wish to purchase this, please allow at least two weeks for the impasto to dry before I can ship it. Also available in a gold plein air frame for an additional $40.
I haven't done a floral in a long while and was in the mood to do one, so today I bought some reduced roses at the market and set to work!
Here's my set-up:
I got a late start and the light was rather poor so I had to work fast. I enjoyed doing these as a change of pace. I think it's good to mix things up periodically so as to not get into a rut.
"Three's company" has thick paint throughout. If you wish to purchase this, please allow at least two weeks for the impasto to dry before I can ship it. Also available in a gold plein air frame for an additional $40.
Friday, September 07, 2012
"Cattin' Around", 8x10, oil on canvas panel-paintings of cat boats, Cape Cod cat boats, sailboats, impressionist seascapes
SOLD
"Cattin' Around", 8x10, oil on canvas panel
I am a total sucker when it comes to classic cat boats. They are elegant, efficiently constructed and comparing them to new sailboat designs is like comparing Jennifer Aniston to Grace Kelly.
In this painting I wanted to capture the feeling of movement in both the air and water.
Lots of thick impasto in this one, so if you are thinking of purchasing allow at least two weeks drying time.
"Cattin' Around", 8x10, oil on canvas panel
I am a total sucker when it comes to classic cat boats. They are elegant, efficiently constructed and comparing them to new sailboat designs is like comparing Jennifer Aniston to Grace Kelly.
In this painting I wanted to capture the feeling of movement in both the air and water.
Lots of thick impasto in this one, so if you are thinking of purchasing allow at least two weeks drying time.
Thursday, April 26, 2012
"La Bicyclette", 12x16, oil on board-paintings of Lacoste, Provence, palette knife, bicycle, A Good Year
SOLD
"La Bicyclette", 12x16, oil on board (Note- Please click on the image in order to see the impasto clearly.)
A modern day bicycle, sits against a crumbling wall in an ancient village in Provence. Numbering under 500 inhabitants, the streets of Lacoste are deserted right now, as it's that magical time of day when Provencal folk either nap, eat, drink, argue in a pub or have sex, "under the roof".
La Bicyclette waits patiently for the return of its owner who will meander down the cobblestone paths any minute now, smiling at a distant memory and emerging with his face slightly flushed after polishing off a bottle of old red straight from the vineyard of Max Skinner, and which he imbibed alfresco-style at the lovely Cafe de France in the heart of the village.
If you have no idea what I'm talking about, then go watch "A Good Year" with Russell Crowe and the stunningly beautiful Marion Cotillard. You'll fall in love with Provence and it's ancient villages, and crumbling walls and purple valleys nestled in the heart of the Luberon and in the shadow of the Vaucluse.
Lacoste is truly ancient, crumbling, mysterious and exotic all at once. Forget the Marquis de Sade and his crumbling castle; the view from the Cafe de France of the Luberon valley and the neighboring village of Bonnieux is enough to make your heart do somersaults, as is most of the scenery in the area.
I painted this quickly with a palette knife, listening to a combo of "shuffled" music on Pandora that included Cafe France, Rod Stewart and the Gypsy Kings. The only thing missing was a bottle of old red.
"La Bicyclette", 12x16, oil on board (Note- Please click on the image in order to see the impasto clearly.)
A modern day bicycle, sits against a crumbling wall in an ancient village in Provence. Numbering under 500 inhabitants, the streets of Lacoste are deserted right now, as it's that magical time of day when Provencal folk either nap, eat, drink, argue in a pub or have sex, "under the roof".

If you have no idea what I'm talking about, then go watch "A Good Year" with Russell Crowe and the stunningly beautiful Marion Cotillard. You'll fall in love with Provence and it's ancient villages, and crumbling walls and purple valleys nestled in the heart of the Luberon and in the shadow of the Vaucluse.

I painted this quickly with a palette knife, listening to a combo of "shuffled" music on Pandora that included Cafe France, Rod Stewart and the Gypsy Kings. The only thing missing was a bottle of old red.
Thursday, April 19, 2012
"Florida Jacaranda Tree A-Bloom", 16x12, oil on canvas, paintings of jacaranda trees, purple, purple trees, exotic trees, jacaranda tree art
This started out as a plein air study of a jacaranda tree in my neighborhood. I happen to love jacarandas and since their bloom season is so short I didn't want to waste the opportunity to paint this one!
I painted the tree scene very quickly yesterday in some heavy winds and red ant mounds, and even had to go retrieve my roll of paper towels which had rolled all the way down the street in the wind!
I remembered to take a couple pics of the scene as well and here's a good image of the scene that I painted:

My plein air study was cut short by the wind but it served the purpose of helping me remember what I needed to remember for my studio piece.
I met the lady who lived in the house that I was painting. Her name is Gail and she came out to chat with me and invited me in for ice tea as well! Turns out, she is a watercolor artist! She does some lovely architectural work and I enjoyed talking to her about the differences between watercolors and oils.
All in all it was a good day yesterday, and since today was rainy in my area it afforded me a good chance to put my field study to good work!
Thursday, January 05, 2012
"Summer Reflections-Strasbourg", 16x20, oil on board

"Summer Reflections-Strasbourg", 16x20, oil on board
New Strasbourg painting- I just never tire of this scene!
This painting has been juried into the Women Painters of the Southeast show at The Course Gallery in Jacksonville, Florida. Mark your calenders for a great show , coming in April!
a Painting a day, Daily painters, original art , affordable original art, paintings of Strasbourg France, colorist art,contemporary impressionism, Colorist art by Maryanne JAcobsen, paintings 0f quaint European villages.
a Painting a day, Daily painters, original impressionist art , affordable French landscapes, paintings of Petite France and Strasbourg, colorist art,contemporary impressionism, art blogs, Alsace impressionist painting,paintings of canals,Maryanne Jacobsen paintings, European village paintings,paintings of France.
Friday, September 03, 2010
"Moody Bayou", 12x16, by Maryanne Jacobsen, paintings of bayous, atmospheric paintings
SOLD
"Moody Bayou", 12x16, oil on canvas
A bayou is a body of water typically found in flat, low-lying areas, and can refer either to an extremely slow-moving stream or river (often with a poorly defined shoreline), or to a marshy lake or wetland. Bayous are commonly found in the Gulf Coast region of the southern United States, particularly the Mississippi River region, with the state of Louisiana being famous for them. A bayou is frequently an anabranch or minor braid of a braided channel that is moving much more slowly than the mainstem, often becoming boggy and stagnant, though the vegetation varies by region. Many bayous are home to crawfish, certain species of shrimp, other shellfish, catfish, alligators, and a myriad other species.
The definition above was taken from Wikipedia.
I have been under the weather all week with a severely abscessed tooth. Today was the first day that I actually wanted to paint, and felt able to paint, and since my heart was and is and has been in the bayou these days, that is what I decided to paint. I didn't have a reference photo, just the many memories embedded in my head of quiet, peaceful Florida bayous, usually full of secretive birds and dancing mosquitoes!
The Gulf states and Louisiana in particular have suffered a great deal in recent months as a result of the horrendous Deepwater Horizon catastrophe, and I was incredibly encouraged today to hear that progress has been made in sealing the well permanently. The old damaged BOP (Blow out preventer) was removed and soon a new one one will be installed. After that the final relief well will be drilled, and hopefully the chapter in this eco-disaster will change to God's healing of the damage that this massive disaster has had on our precious ecosystem.
I believe in God and I also believe that God has made nature very resilient. So I am hoping that new chapters in the history of this disaster will show new growth for precious marshes, new spawning of healthy fish , phytoplankton, coral, and an increasingly healthy environment for all the fish, birds, turtles, mammals and especially the people along the coasts who have suffered as the oil is gradually degraded. I am still extremely upset about the dispersant use, but instead of starting on a new rant, I would prefer to thank God for His goodness and grace in helping people get through challenging times. For all the people in Louisiana and Mississippi and Alabama who have suffered the most for from this tragedy- God Bless You. Stay strong.
If you are interested in this painting, please send me an email at maryannejacobsen@aol.com, or call Leah Sherman directly at Collector's Gallery and Framery at 941-488-3029.
a Painting a day, Daily painters, original art , affordable original art, plein air paintings, colorist art,contemporary impressionism, art blogs, after Van Gogh,alla prima,palette knife paintings,palette knife oil paintings,affordable original oil paintings,palette knife florals,colorist art>,a Painting a day, Daily painters, original art , affordable original art, floral impressionist paintings, colorist art,contemporary impressionism, art blogs, original still life paintings,alla prima,palette knife paintings,palette knife oil paintings,affordable original oil paintings,affordable original art,colorist art>,

"Moody Bayou", 12x16, oil on canvas
A bayou is a body of water typically found in flat, low-lying areas, and can refer either to an extremely slow-moving stream or river (often with a poorly defined shoreline), or to a marshy lake or wetland. Bayous are commonly found in the Gulf Coast region of the southern United States, particularly the Mississippi River region, with the state of Louisiana being famous for them. A bayou is frequently an anabranch or minor braid of a braided channel that is moving much more slowly than the mainstem, often becoming boggy and stagnant, though the vegetation varies by region. Many bayous are home to crawfish, certain species of shrimp, other shellfish, catfish, alligators, and a myriad other species.
The definition above was taken from Wikipedia.
I have been under the weather all week with a severely abscessed tooth. Today was the first day that I actually wanted to paint, and felt able to paint, and since my heart was and is and has been in the bayou these days, that is what I decided to paint. I didn't have a reference photo, just the many memories embedded in my head of quiet, peaceful Florida bayous, usually full of secretive birds and dancing mosquitoes!
The Gulf states and Louisiana in particular have suffered a great deal in recent months as a result of the horrendous Deepwater Horizon catastrophe, and I was incredibly encouraged today to hear that progress has been made in sealing the well permanently. The old damaged BOP (Blow out preventer) was removed and soon a new one one will be installed. After that the final relief well will be drilled, and hopefully the chapter in this eco-disaster will change to God's healing of the damage that this massive disaster has had on our precious ecosystem.
I believe in God and I also believe that God has made nature very resilient. So I am hoping that new chapters in the history of this disaster will show new growth for precious marshes, new spawning of healthy fish , phytoplankton, coral, and an increasingly healthy environment for all the fish, birds, turtles, mammals and especially the people along the coasts who have suffered as the oil is gradually degraded. I am still extremely upset about the dispersant use, but instead of starting on a new rant, I would prefer to thank God for His goodness and grace in helping people get through challenging times. For all the people in Louisiana and Mississippi and Alabama who have suffered the most for from this tragedy- God Bless You. Stay strong.
If you are interested in this painting, please send me an email at maryannejacobsen@aol.com, or call Leah Sherman directly at Collector's Gallery and Framery at 941-488-3029.
a Painting a day, Daily painters, original art , affordable original art, plein air paintings, colorist art,contemporary impressionism, art blogs, after Van Gogh,alla prima,palette knife paintings,palette knife oil paintings,affordable original oil paintings,palette knife florals,colorist art>,a Painting a day, Daily painters, original art , affordable original art, floral impressionist paintings, colorist art,contemporary impressionism, art blogs, original still life paintings,alla prima,palette knife paintings,palette knife oil paintings,affordable original oil paintings,affordable original art,colorist art>,
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