Showing posts with label 16x20. Show all posts
Showing posts with label 16x20. Show all posts

Friday, September 01, 2023

"Swansong", 16x20, oil on linen panel, Swan Lake, ballet, ballet art, ballerina portrait, Odette, Swan Song, on pointe, classical dance, paintings of dancers




 "Swansong", 16x20, oil on linen panel

Odette is the tragic heroine in the classical ballet Swan Lake. Odette is a princess turned into a swan by the evil sorcerer Von Rothbart's curse, who wants his evil daughter Odile (the Black Swan) to wrestle the handsome Prince Sigfried's heart away from the gentle Odette. The ballet is a love story of enchantment and tragedy, as only the Prince's undying love can break the curse and free Odette and the other swan maidens of the sorcerer's curse.

When I was artistic director of my ballet company back in the 1990's, we performed a full length Swan Lake 2 or 3 different times. The challenges of staging a ballet of this magnitude on a small company were tremendous, but I was ambitious and the rewards of re-creating the magic of that ballet eventually overshadowed the work that was involved. I have painted this scene before, but had the urge to paint Odette again in memory of the many hours of love I put into the restaging of that ballet !

Ballet, art, and music are all similar passions. When one has an artistic passion, it dictates their lives for that particular season. Luckily for me, I no longer need to do an entrechat quatre in order to fill my passion. 

May every creative person continue to fill the world with beauty, through music, dance, art, and poetry!

Sunday, June 11, 2023

"Southern Belle", 16x20, oil on linen panel, southern living, reading books, summer reading list, beach reads, women and books, sassy magazine, artwork on sale, original artwork, original oil paintings


 "Southern Belle", 16x20, oil on linen panel

I painted this back in 2017, and over the past few years it has gone through a few revisions. In 2017, the painting was chosen as the cover for Sasee Magazine, a southern style magazine out of the Carolinas, with an emphasis on women's lifestyles.

Here is the cover from back then:


I changed the model's face since then to reflect a young woman in the prime of her life, sitting on a shady veranda, enjoying the scent of magnolias and a sultry breeze rippling through the humid summer heat. Dappled light falls around her, as immersed in her book, she seemingly hasn't a care in the world!

I am offering this painting for sale at the amazing price of only $300. An addition shipping and handling cost of $20 is added at checkout. Add this beautiful painting to your art collection for a fraction of its original cost, and you too can picture yourself under the shade of magnolia tree, immersed in a world of new adventures.

Purchase directly through my website here .

Thanks for visiting my blog!






Friday, June 12, 2020

9th Hole, 16x20, golf, golf paintings Father's Day gifts, last minute gifts, framed paintings, paintings of golfers

9th Hole, 16x20

I am not a golfer, but I know many people who are avid golfers. I tried it once, and became frustrated, trying to hold my wrist just right.

Well, I figured if I can't hit a golf ball, I can at least paint one. And so this painting came about.

This painting would make a lovely gift for that special golfer in your life. Please contact Gallery 444 at  
444 POST STREET, SAN FRANCISCO, CA 94102 
PHONE : (415) 434-4477 for purchase info about this painting.

Wednesday, October 10, 2018

"Coffee, Mohair and Moi", 16x20, oil on gallery-wrapped canvas, coffee, paintings for coffee shops, paintings of women in hats, beautiful women, collectible art, coffee break

"Coffee, Mohair and Moi", 16x20, oil on gallery-wrapped canvas

This painting was recently featured at the Haggin Museum's stunning show, "Full Sun, American Women Artists Illuminate the Haggin Museum".

It was an honor to have one of my paintings hang in a museum amongst the like of Henry Watrous, Mary Cassatt, William Merrit Chase, Albert Bierstadt and other greats!

We were asked to use one of the paintings of the old Master's as an inspiration for a new work of our own, and I chose Watrous' Sophistication as the vehicle for my inspiration.

Check it out:

In my essay for the exhibit, I wrote the following:
 In “Coffee, Mohair, and Moi”, a modern-day fashionista exudes perfume, glamour, and quiet sophistication as she sips her latte in a coffee shop. Seemingly overdressed for a coffee break, one wonders why she is there. Her ensemble indicates that it has been thoughtfully put together with incredible care, and even her manicured fingernails are color-coordinated to demonstrate her fashion savoir-faire. This painting was inspired by Henry Wilson Waltrous’s “Sophistication”, and is an attempt to portray his subject in a contemporary light. Painted about a century ago, in “Sophistication” Waltrous employed dark-colored clothing in his femme fatale against a light, superficial background. In the modern interpretation, the artist chose light-colored clothing against a darker background to demonstrate more starkly the contrast of the times. The title Waltrous gave his painting for its exhibition at the Nation Academy of Design in 1908 was “A Cup of Tea, a Cigarette, and She” - implying the presence of an unseen male admirer. The modern painting’s title reflects a play on words as well, reflecting the self- indulgence and personal absorption often attributed to American women of today, hence the use of the word ‘Moi’ in the title.

This painting is framed in a gorgeous designer floater frame and is now available. Please contact  me at maryannejacobsen@aol.com, if you would like more information on this work.

Monday, July 09, 2018

"Sundown, Balboa Park", 16x20, San Diego, Balboa Park, architecture, San Diego tourism, museums, Maryanne Jacobsen art , impressionism

"Sundown, Balboa Park", 16x20

Balboa Park is an exceptionally wonderful place to visit when in San Diego. The museums and festivals are exceptional, and there's even an area designated for the artist community.

I originally tried to paint this scene en plein air, but became overwhelmed by everything that was going on in the scene. So I snapped a photo and used it for a reference. I loved the backlit late afternoon sky against the contrasting architecture of the buildings.

Don't miss the opportunity to visit the park if you ever land in San Diego!

Friday, May 04, 2018

"Peaches and Cream", 16x20, oil on linen, Mother's Day gifts, impressionist floral, peaches, roses

"Peaches and Cream", 16x20, oil on linen

This lovely floral was painted a while back and also received an honorable mention in an exhibit.

It would make a lovely gift for Mother's Day and is also available framed. Please send me an email at maryannejacobsen@aol.com if you would like purchasing information.

Sunday, March 25, 2018

"Summer Reverie", 16x20, oil on panel, garden party, wine, flowers, garden scenes, Maryanne Jacobsen art


"Summer Reverie", 16x20, oil on panel



I was very pleased to receive a First Place award recently in the North Port Art Center's "Garden Party" exhibit.

To paint the scene, I set up  a table with some flowers and a glass of wine out on my lanai, near the pool.

I then did a 12 x16 inch plein air sketch out doors and used the sketch and the photo to create the larger painting.

If you would like purchase information about this painting, please send me an email at maryannejacobsen@aol.com.

Happy Spring!

Friday, March 09, 2018

"The Dream House", 16x20, oil, California impressionism, Santa Barbara homes, dream house, road trips, palette knife paintings, MAryanne Jacobsen art

SOLD
"The Dream House", 16x20, oil (Note: click on the image to see the detail)

This was painted over ten years ago, after I had visited California for the first time. We took a road trip up the coast , starting in San Diego and ending in San Francisco, and oh what a road trip it was!

One of my best memories was a short stop at Santa Barbara for lunch overlooking a harbor and then a ride up into the mountains where the vistas were beautiful and the homes were opulent.

A brief stop at a tiny monastery, found us staring at this statue and engraving which read,

"I am a man. No men are foreigners to me. Of one blood are all nations."



Further up the mountain , the roads became steeper and more narrow and the scenery even more dramatic. I stopped and snatched a photo of this lovely home, nestled under the shadow of the mountains :



So that home became the subject of my painting, "The Dream House".

This painting is available, please send me an email at maryannejacobsen@aol.com if interested in this work.

Wednesday, March 07, 2018

"Windows to the Past", 16x20, oil on panel, historic yellow springs, art school road, Washington Building, The Inn at Yellow Springs, Pennsylvania Impressionism, Maryanne Jacobsen Fine Art, mineral springs, Philadelphia area art, dappled light, weddings at The Washington, Wedding venues

"Windows to the Past", 16x20, oil on panel

This is a side view of the Washington Building in the historic village of Yellow Springs, about 30 miles west of Philadelphia. Although once called Yellow Springs, the village is located in what is now known as Chester Springs, Pa.- an area of rolling hills and underground springs and beautiful gentlemen's farms. I once lived in this gentle area, and it holds many beautiful memories for me, which is why I often come back and paint here whenever I am visiting Pennsylvania.



In times past, wealthy Philadelphians would travel by coach or train to vacation in the village of Yellow Springs, where they could bathe in the iron springs that still permeate much of the area, and from which the village derived its name. Supposedly the iron springs were a boon to one's health, and so the village became a spa of sorts. But the spa era was long after the Revolutionary war, when General Washington used the old tavern as a temporary headquarters for his troops.

Originally a tavern, the Washington Building has gone through numerous transitions and additions over the centuries. When I lived in Chester Springs, the Washington Building was known as The Inn at Yellow Springs, and it was a favorite haunt of the locals for fine food and great wine. Speaking of haunts, the building was also reputed to house a few ghosts left over from the years when the grounds supported a hospital for the wounded troops. My son worked as a weekend waiter at the Inn when he was in high school, and he would come home with firsthand stories of the ghostly noises that were heard by the staff on any particular evening.

Front view of the Washington Building

Spooky, yes. Old and historic- yes as well. But the architectural beauty of the building is what enchants me most and brings me back time after time for a new painting session. The view I captured on this particular occasion is a side view at late afternoon, showing the long porch that connects the Washington Building to its neighbor, the Lincoln Building. The little courtyard  has a bench for musing, and  a sculpture of a blue heron, which I've also painted before. Directly up the path from this view is a small herbal medicinal garden, dating from the days when it provided medicine of sorts for the sick and wounded. Just beyond that is the ruins of the old hospital, and directly across the street is the gazebo that housed the iron springs where the wealthy and healthy bathed.

View of gazebo that housed the iron springs

View of steps leading from courtyard to the old hospital ruins

Quixotic as the springs were, I suppose it was their dark, orangey-colored waters that attracted the attention of General Washington in the first place! I can attest to the fact that in the 14 years that I lived directly up the road in Chester Springs, my hair was orange from the well water that I bathed in!

Up the road a short distance is the art school, where famous painters and students from the Academy of Fine Arts would travel in the summertime to take advantage of the beautiful surroundings and paint en plein air. Indeed, the tiny road that houses all this history is called Art School Road, and residents have worked hard to preserve the quaint beauty and historic significance of the tiny village.

Well, if you enjoyed learning about the historic village of Yellow Springs, do visit the village's website here where you can learn about tours and art lessons and much more history!

This painting is available for purchase for $1500. Please send me an email at maryannejacobsen@aol.com, if interested in purchasing this window to the past.

Thursday, January 04, 2018

"California Wildflowers", 16x20, oil on panel , palette knife paintings, coastal art, La Jolla, Nasturtiums, wildflowers

SOLD
"California Wildflowers", 16x20, oil on panel (Please click on the image to see a better view of the impasto)

This was painted after I came back from a trip to California, where I had the chance to paint en plein air in La Jolla.  (See post La Jolla Wildflowers)

I decided to try a larger one, this time using palette knife only and this was the result. The nasturtiums were everywhere last Spring, as a result of all the rain. It was truly a beautiful sight to see and eye candy for this artist!

This painting is available through Gallery 444 in San Francisco.

Thursday, November 09, 2017

"Dappled Light", 16x20, oil , Historic Yellow Springs village, Maryanne Jacobsen original art,, Yellow Springs Inn, the Washington Building, Chester Springs, Pennsylvania, Autumn landscapes, Pennsylvania landscapes, original art


"Dappled Light", 16x20, oil (Please click on the image for a better view)

During my recent painting trip to Pennsylvania, I had the opportunity to paint a couple times in the sweet little historic village of Yellow Springs, Pennsylvania. The weather was gorgeous and the trees were colorful and my only dilemma was choosing what to paint in the tiny village!

I decided to set up in the little courtyard between the Washington Building and the Lincoln Building, since the dappled light on the side on the Washington Building fascinated me.

As is usually the case with plein air, by the time, I set up my easel and got around to painting, the light on the building was gone and the building and courtyard were cast in shadow with the exception of the little bench.

Here is what it looked like in less than an hour's time:

Since I was unable to capture the dappled light that had first attracted me to the scene, I decided to paint the scene in my studio, using my field study and photo reference for guides.

 I was pretty happy with the outcome, and hope to do more autumn scenes in upcoming weeks from the trip to beautiful Pennsylvania.

This painting is available . Please email me at maryannejacobsen@aol.com if you have any interest in purchasing this work. And don't forget to visit my new website at Maryanne JAcobsen Fine Art.

Thursday, April 06, 2017

"Summer Reverie", 16x20, oil on panel, Maryanne Jacobsen art, original oil paintings, impressionism, plein air versus studio, gardens, flowers, romantic gardens

"Summer Reverie", 16x20, oil on panel

I did a plein air painting in my back garden a couple weeks ago and enjoyed it so much that I thought I'd try a larger version in my studio. The image above is the result.

It's a weird thing about plein air. You are working against the clock to capture all that you see in front of you, and as a result you don't have time to over-think things. So generally speaking, plein air work has a more spontaneous feel to it.

The benefits of working  in the studio, are that you can study what you did wrong in the plein air piece, and take your time thinking through how you could do it differently, in the hopes that you might improve upon what you did quickly outdoors.

Here are the two paintings side by side:
The funny thing is, I like the plein air painting better! Yes, I was able to soften edges in the larger one, and think more carefully about the background, but somehow, the transparency of the tablecloth, the texture in the flowers, the boldbess of the brushwork,  and the spontaneous way in which I threw in the leg and its shadow underneath the table, appeals to me more.

Anyhow, if you stop by this blog and have a read, please let me know what you think!

Thursday, February 16, 2017

"The Long Walk Home", 16x20, oil on Ampersand Panel, Maryanne Jacobsen art, home, Wizard of Oz, Dorothy, Prodigal Son, sunset, sunrise, spiritual art

SOLD
"The Long Walk Home", 16x20, oil on Ampersand Panel

This was an experimental piece for me in that I was adjusting to the weird light in my new north lit studio, as well as playing with a theme straight from my imagination. The girl in the painting is tired, yet buoyed to keep walking by something that the viewer can only imagine. She is walking towards the light- it could be sunrise and the dawn of a new day, or even sunset where mistakes of the day can be laid to rest with the promise of  a better tomorrow. The shadows are long and the colors are muted yet vibrant in areas touched by the warm light.

The scene is reminiscent of both The Prodigal Son and The Wizard of Oz. In the first story, the prodigal makes his/her way back home after discovering that money and pleasure are fruitless, and a path to eventual destruction. In the Wizard of Oz, Dorothy discovers that all her notions of magical faraway places, filled with adventure and excitement, can also be fraught with danger and sorrow. In the end, Dorothy realizes that there is "no place like home".

So I invite the viewer to make up his own story about this young woman, and enjoy your journey into her mind!

Contact me at maryannejacobsen@aol.com, if you have any interest in this painting.

Tuesday, November 15, 2016

"The Gift Basket", 16x20, orchids, fruit, fruit basket, still life, eggs, wine, Leonard Cohen, MAryanne JAcobsen art

"The Gift Basket", 16x20

This is a re-do of a painting that I did awhile back. Not sure if I'm happy with it but I did enjoy painting it. Listened to the Essential Leonard Cohen CD while I painted. Now that man was a true artist!

If you are interested in this work, please contact me at maryannejacobsen@aol.com.


Tuesday, May 03, 2016

"Summer Read", 16x20, oil, figure in the landscape, paintings of young ladies, women in hats, books, summer, gardens, MAryanne JAcobsen art

"Summer Read", 16x20, oil on panel

Sometimes I will do a scene more than once if I enjoyed painting it, and also to see if I can improve upon what I did before.

I painted a smaller version of this over a year ago, called "A Summer's Day" :

There are things about the first version that I like better, like the folds in the girl's dress and the light on the chaise. But overall, I am relieved to also see improvements in the new version. It is so important for an artist to know she is improving, otherwise why bother to continue?

Parts of painting become drudgery after a time. Things like cleaning brushes, cleaning messy palettes, varnishing , framing and preparing canvases, not to mention shipping- are the things that make me weary. Many people have no idea how much work is involved in being a successful artist! And I didn't even touch on the marketing part which I am not very diligent about!

So it is always helpful to know that one is improving and that the work is well received by your audience.

I would love to hear from you regarding the newer version! Please drop a comment if you have the time!

Wednesday, April 13, 2016

"Morning Blues", 16x20, oil on canvas, blue, hydrangeas, blue florals, Maryanne Jacobsen art, impressionist florals, outdoor florals, blue bottles, blue flowers

"Morning Blues", 16x20, oil on canvas

Another backyard floral completed yesterday! I am having a ball painting florals en plein air as I have the luxury of completing them indoors through a photograph when the light changes too much to continue to work outside. As an avid plein air painter, this is a wonderful chance to paint objects in outdoor light under controlled conditions.

I recently experienced a very negative experience painting on a windy boat dock, with some of my valued stuff flying off the deck and into the water while continually holding onto the easel (and my balance) for dear life! For less experienced plein air painters, I highly recommend trying a floral set-up in your backyard, patio, deck or whatever. You can leave it there overnight and return to it the next day, (As I did with Au Printemps) or finish it up indoors when the weather gets too hot or the bugs get too nasty. Best of both worlds!

This one was begun last Friday in Katie Cundiff's back yard, and although the morning light was a little dull, the weather was altogether pleasant. The birds were singing, fish and frogs were flapping about in the pond, and every now and then a pair of sandhill cranes would stroll by. Katie has been mentoring a group of artists every Friday in the methods of painting florals after the syle of Ovanes Berberian. Overall, I am still struggling with the technique and the preparation time as well as the copious amounts of paint requred to paint this way. But enjoying it nonetheless. I finished this painting up in my home studio yesterday. Ever though the paint had dried I was able to finish it somewhat successfully and I wasn't displeased with the outcome.

To see Ovanes work, you can go here, and to visit Katie's website and see her beautiful work, go here.

Sunday, February 07, 2016

"Oak Shadows", 16x20 , oil on Panel, Maryanne Jacobsen art, Sarasota Florida, New College Sarasota, Ringling Museum, Ralph Caples, live oak tree

"Oak Shadows", 16x20 , oil on Panel

Winter can be a beautiful time to paint outdoors in Florida. Recently I bundled up and ventured out in temps that were below par for Florida- 50ish, I believe. Yup, a little cold for us Floridians, and windy, too, but the sunshine makes it all worthwhile. It was brilliantly sunny that day and the sky was that truly gorgeous blue that is the reason why Florida artists need cerulean on their palette! (Cobalt and viridian mixed are a decent substitute.)

Anyhow, I went to the Caples mansion and carriage house, which borders on the beautiful Ringling Estate. Ralph Caples had a personal and professional relationship with the wealthy Ringlings next door and if you want to learn more about the Caples history you can read about it here.

 As soon as I arrived on the site, I become enamoured with the patterns and negative spaces that the immense oak tree was creating with her branches, and so I decided to paint it. The carriage house next to it seemed to figure into the composition as well, although I knew it would be a lot to do in one painting session.

I worked on the painting for about two hours before calling it a day. I packed up my car only to discover that the battery had gone dead because I kept the hatch up while I was painting, meaning that the light drained the battery. A kind man jumped my battery and all in all it was an almost perfect Florida painting day except for the battery.



Over the weekend I used my plein air sketch to recreate the scene above on a larger canvas. Those live oaks with the Spanish moss hanging from their limbs can be quite challenging to paint, as was also the complexity of the architecture of the carriage house, which was modeled after the Mediterranean Revival style. Overall, though, I was pleased with the outcome.

Be sure to visit the historic sites of the Ringling Museum, and the Caples sites, if you ever visit Sarasota. Both properties are on the waterfront of Sarasota Bay and the scenery is quite lovely and the history quite interesting.

Saturday, November 28, 2015

"Almost Winter, Montmartre", 16x20, oil on board, Paris street scenes, Place du Tetre, Sacre Couer, nocturne, moon, Artists Quarters


"Almost Winter, Montmartre", 16x20, oil on board, (Copyright, 2015)

This scene has been painted thousands of times by artists all over the world. It's easy to see why. This is the Artists' Quarter in Paris, though Montmartre is truly a village unto itself at the north end of Paris. You can see Sacre Coeur lit up in the background, and if you don't know your history, you may not know that many of the residents of Montmartre were not happy when it was built in the early 1900's. It's not hard to figure out why, of course. Down the street a few blocks is the Moulin Rouge, a dance caberet hall where the "notorious" Can-Can was born. (I personally love the Can-Can myself and have been known to perform it on street corners at inopportune times.) Certainly the devil was NOT in the details when the church's founders were drawing up the plans!

At any rate, the scene above is the famous Place du Tetre where numerous artists, writers and poets would come to paint and frequent the coffee houses. It's still a haunt for the bohemian crowd, though it's become a horrendous tourist trap as well. In this painting, I really wanted to try to picture Montmartre in a gentler time, before dozens of tourists crowded it's narrow streets year round.

I wanted it to be a contemporary painting, while still maintaining vestiges of the older days. I hope I was successful.

Thursday, October 09, 2014

"Peaches and Cream", 16x20, oil on linen, paintings of fruit, roses, peaches, blue, award-winning art, Maryanne Jacobsen , impressionism

"Peaches and Cream", 16x20, oil on linen

I painted this one a while back and at the last minute I decided to enter it into the Venice Art Center's "Tutti Fruitti" competition. The only requirement was that fruit be included in the design.

I was pleased to find out that the painting received an honorable mention in the exhibit last month. I was in very good company on the wall with the ribbons as Hodges Soileau won first place, Bill Farnsworth won second and  Jeff Cornell won third. My friend and avid plein air painter Karen Hitt also received an honorable mention. It was a great show with hundreds of entries so I was pleased to receive a ribbon. Thanks to Judge Diane Mannion for choosing this painting for a ribbon.


Tuesday, June 24, 2014

"The Pergola at Chanticleer", 16x20, oil on canvas, pergolas, Chanticleer, Main Line Gardens, palette knife paintings, Philadelphia MAin Line, gardens

"The Pergola at Chanticleer", 16x20, oil on canvas

Chanticleer is a lovely estate with beautiful gardens that are open to the public. It is a place that is heaven to artists! I took advantage of my recent visit to Pennsylvania to take some photos at Chanticleer.

This painting is of the pergola, and was done with mostly a palette knife. Chanticleer is such a lovely place!

To learn more about Chanticleer, please go here.