Friday, July 31, 2015

"The Whaler's House", 11x14, After Hopper exhibit, Addison Art Gallery, Orleans, MA. Cape Cod, Edward Hopper, Edward Penniman House, MAryanne JAcobsen art

"The Whaler's House", 11x14

Tomorrow is the opening of the After Hopper show at the Addison Art Gallery in Orleans, Ma.

This show is an exciting collection of plein air work by a group of selected artists that reflect a connection to the work of Edward Hopper. Hopper often painted on the Cape and his work has been the inspiration of artists from coast to coast.

Hopper's handling of light on buildings was masterful. I chose to paint the Edward Penniman House because of the strong light and shadow patterns on the building and the distinctive architecture of the Whaling Captain's house, which was so reminiscent of many of the buildings that Hopper himself had painted in his day. See what I mean?

"Haskell's House" by Edward Hopper, watercolor


The Edward Penniman House is located on Fort Hill, not far from the Addison Gallery in Orleans.

Capturing The Penneman House on canvas was like stepping back into time, where I could almost hear the Whaler himself as he stepped out on the cupola of the roof of his mansion, his eyes darting to and fro across the horizon from his vantage point on Fort Hill. I could almost hear him clear his throat , followed by a sharp intake of breath as he spotted not one- but two whales  breeching in syncopation above the frothy waves not far from the Whaler’s House.

I elected to omit the whale bones and metal guard rail because I felt reasonably sure that they did not exist in Hopper's time and I wanted to try to stay true to the era.

There are many wonderful events on the Cape that will celebrate the "After Hopper" exhibit. Please check the website here for more details, and don't miss this wonderful celebration of an American icon, if you are vacationing on Cape Cod.


Sunday, July 26, 2015

"It's the little things that count", 8x10, oil on linen panel, lemons still life, floral alla prima, painting from life, Maryanne Jacobsen art, blue vase

"It's the little things that count", 8x10, oil on linen panel

It's been raining here in Florida for what seems like an eternity. The summer's are always so hot and humid here but at least there is sunshine. Well, not this year! It's been the rainiest summer I can remember since moving here in 2004.

What does this have to do with the painting? Nothing much, other than the fact that I have come to realize that painting from life always produces results that are superior to painting from a photograph.

So I am basically using this time when I am shut indoors to practice some still life paintings. The small flowers were picked from the garden and the lemons came from the frig. I dug a pretty marble out of a silk flower vase and added it at the last minute.

How easy is that?

Email me at maryannejacobsen@aol.com if you are interested in purchasing this small study.

Friday, July 24, 2015

"Antique Copper Cup with Meyer Lemons and Pink Roses", 11x14, pink roses, antique copper, meyer lemons, still life Maryanne Jacobsen art, impressionist art

"Antique Copper Cup with Meyer Lemons and Pink Roses", 11x14

I found the coolest copper cup at an antique mall in Maine one day. In case you don't know, Maine has the very BEST antique malls and they are everywhere!

Anyway, I brought it out today and set up a still life in my studio. It was a drab rainy day and it's been that way all week!

Here's my set-up:
I kind of wish I had added some blue to the set-up, but oh well. The green and purple harmonize pretty well. 
Have a good weekend, folks! Email me if you are interested in this painting at maryannejacobsen@aol.com.

Sunday, July 12, 2015

"Indian Summer", 6x6, oil on panel, paintings of covered bridges, red bridge farm, Elverson, Pennsylvania, Paintings of Chester County, Pennsylvania, small paintings, little gems, Maryanne Jacobsen art, original oil paintings

"Indian Summer", 6x6, oil on panel

I came upon this red covered bridge on my way to a plein air event in Pennsylvania. It was so unexpected that I screeched on my car  brakes and kept saying, "Oh wow, oh wow, oh wow!"

You see, now that I have lived in Florida for ten years, (no offense to Floridians intended),coming upon little unexpected gems like this is a totally delightful event and one in which I will never again take for granted! (Even though I lived in Chester County for most of my life!)

Chester County, Pennsylvania is noted for its many beautiful covered bridges. Many have been restored in their entirety, but some retain their original classic old charm.

Contact me at maryannejacobsen@aol.com if you have any interest in this little vignette.

Friday, July 10, 2015

"Sunrise, Gully Point", 11x14, oil on linen, Rockport painting, Gully Cove, sunrise, Impressionist painting by award-winnig impressionist, MAryanne Jacobsen fine art, Cape Ann art, North Shore

"Sunrise, Gully Point", 11x14, oil on linen

One of my favorite moments in time is a sunrise in Rockport, Massachusettes. I don't normally get up at 5 in the morning to see the sunrise, but when I'm in Rockport I always do!

This was painted at or near Gully Point, off Marmion Way in Rockport. The sunrises there are usually dramaticly gorgeous throughout the summer months.

Send me an email at maryannejacobsen@aol.com if you are interested in this painting.

Tuesday, June 30, 2015

"Inspiration Point", 10x20, oil on linen, paintings of Yosemite, Inspiration Point, Maryanne Jacobsen art, palette knife


"Inspiration Point", 10x20, oil on linen

It was rather daunting to attempt to paint a place that has been imortalized by the likes of Albert Bierstadt, Ansel Adams and Thomas Hill, but after some coaxing from my husband, I decided to go ahead and give it an effort.

We visited Yosemite National Park back in April, and spent three lovely days there hiking and enjoying the beauty of this incredible place. Normally the road leading up to Glacier Point is closed in April because of snow, but there was very little snow in Yosemite this winter, so we were able to go all the way up and enjoy the splendor 7,000 feet up!

Inspiration Point is a popular spot to stop as you drive into the valley because from there you can see El Capitan, Half Dome, Yosemite Falls and other highlights of the park. I forced my husband, son and daughter-in-law to stop there each time we went through in order to capture the different light effects throughout the day.
This was a morning shot and although pretty, it was harder to see the falls. We did miss the wildflowers unfortunately, because the Meadows were still closed, but there's always next time!

The painting was painted with a palette knife and has nice impasto throughout. I hope you enjoy it and if you've never visited Yosemite, put it on your bucket list!

Sunday, June 28, 2015

"Afternoon Serenity, China Cove", 12x12 ,oil on canvas, Maryanne JAcobsen fine art, California impressionism, China Cove, Point Lobos


"Afternoon Serenity, China Cove", 12x12 ,oil on canvas

I was very honored last week to have my painting of China Cove receive a first place ribbon at SRQ Plein Air Painters 1st Annual Off Season Juried Exhibition  hosted by the Rennaisance School of  Art in Sarasota.

The exhibit was judged by renowned watercolor artist Vladislav Yeliseyev as well as Christian Stakenborg of Stakenborg Fine Art Gallery. It also received the gallery award by Christian. 


It was an honor to receive this award among so many fine entries and a fun time was had by all!




Saturday, June 13, 2015

"The Penniman House", 9x12, oil on linen, the Penniman House, whaling industry, Cape Cod, Eastham, Cape Cod National Seashore, American Women Artists, Addison Gallery, Maryanne Jacobsen art, French architecture

"The Penniman House", 9x12, oil on linen

Last summer I was in Orleans, Cape Cod, for the American Women Artists exhibit at The Addison Gallery. We had some free time and as luck would have it, we came upon the  Penniman House, perched on a hill off the main road in Eastham.

The Penniman House is a fine example of French second empire architecture. It was built on Cape Cod in 1868 by Captain Edward Penniman, who made his fortune through the Whaling Industry. He would travel across the world many times, hunting the massive "leviathans of the deep".

If you are in the Eastham/Orleans area this summer, stop by and see this once magnificent house. There are daily tours and nearby and up the hill is a lovely spit of land overlooking an inlet, where you can picnic, or paint! Read more about the home and the whaling industry here .

I will confess that this little painting almost drove me nuts. I don't often paint architecture, and the perspective involved in this one was rather daunting. I almost wiped this one down half a dozen times, but I kept at it and finally finished it.

This morning I was reading the bible and I opened up to Psalm 104. As I read it, I was enthralled by the beautiful descriptions of God's magnificence as demonstrated through the awesomeness of creation. I especially liked this verse: "There is the sea, vast and spacious,
    teeming with creatures beyond number—
    living things both large and small.
26 There the ships go to and fro,
    and Leviathan, which you formed to frolic there.

 I thought about that verse today as I considered the whaling Captain's house, and how the captain himself would smell the sea salt from the Atlantic Ocean and out of habit scan the white-capped horizon from the top of his hill in search of a whale's spout. 

I hope you enjoyed reading about the Penniman House. Thanks for checking in!  

Thursday, June 11, 2015

"Hazy Beach Day", 6x6, oil on board, Maryanne Jacobsen, beach paintings, hazy day, little girls at the beach, red bucket, sand, waves, surf, impressionism

"Hazy Beach Day", 6x6, oil on board

I've been studying the paintings of the 19th century impressionists and the beautiful way in which they handled water and clouds. Water, like clouds, is something that is hard to paint from life, for the simple reason that both clouds and water are moving constantly.

The best we can do as artists is to try to paint the movement of water with some degree of passion and emotion, otherwise, the water has no movement and appears lifeless. The best we can do when painting clouds, is to try to portray their ethereal qualities with a light hand, as clouds have no borders. As Don Quixote said in Man of La Mancha, (though he wasn't speaking of clouds, but of the hem of Dulcinea's garment),  they are like gossamer, sheer, gauze-like, yet having substance that changes constantly through varying times of day and light temperatures.

In this painting, my goal was to create that warm hazy light that we sometimes get on summer days, when the sun is trying to break through, but isn't quite there yet.

I hope you enjoy this painting, because I enjoyed painting it!

Tuesday, June 09, 2015

"Window Sill Neighbors", 14x11, oil on canvas, left over paint, mud, impasto, palette knife floral, flowers, sunflowers, colorful florals, Maryanne Jacobsen art


 "Window Sill Neighbors", 14x11, oil on canvas

I didn't really have any intention on painting yesterday. Made a peach pie, did some other wifey-type things and then decided to clean out the refrigerator. Cleaning out the refrigerator/freezer forced me to address the paints that I store for weeks and often months in the freezer.

Paints being expensive, I am always reluctant to throw away what's leftover on the palette after a painting is completed. So I just keep scrape the palette and keep these piles of paint in two airtight containers in the freezer and take them out and use them as need arises.

Well, the paint clumps had become sticky, and the piles were getting really gross-looking. So on the spur of a moment I decided to do what I call a "left over" painting, meaning that I use all the left over paint and create a painting out of the piles.

I quickly foraged around the kitchen and then the garden and came up with this set-up:
I mentally edited out the toaster, blender and eyeglass case and painted quickly since it was getting dark and my eyes leave plenty to be desired in good light! Much of the paint was mud, which meant I could use some of the cleaner paint  to add color to the mud and still have some harmony.

I used a palette knife for the entire painting, as well as a canvas that was already sketched on. I love it when I don't waste anything! In this case the recycled paint was all used up, and I now have a freezer devoid of paints!

Here's a close-up of the impasto:
I do hope that  all that thick paint excites someone, because these window sill neighbors would love to find a new home!

Sunday, June 07, 2015

"Peony Party", 10x20, oil on linen, paintings of peonies, Maryanne Jacobsen art, white peonies, pink peonies, summer flowers

"Peony Party", 10x20, oil on linen

I always look forward to June when I know the peonies are blooming up north. That means that they'll soon be making their way to markets further south. It's a short season, so I have been on the lookout since May.

As soon as we came back from Boston, (where I saw dozens of peonies, by the way!) I found what I was looking for in a local supermarket.

So I've been painting peonies over the past few days. Here' my favorite of the three paintings that I did. I decided to call it "Peony party" because the brightly colored place-mats that I set them on gave the set-up a festive feel.

If you love peonies as much as I do, enjoy!

Saturday, June 06, 2015

"Morning on Old Garden Path Road", 9x12, plein air, Rockport, Massachusetts, North Shore, Old Garden Path, Cape Ann, The Captain's House, Marmion Way, New England resorts

"Morning on Old Garden Path Road", 9x12, plein air

We just returned from a great trip to Massachusetts, where we attended our youngest son's graduation from the Harvard Kennedy School. Here I am demonstrating that I am one proud mama!

Although we were only there for a few short days, I couldn't travel to New England without my paints! The 5 days were filled with graduation dinners and various events, but I did find time one morning to venture out and put all my painting paraphernalia to use.

Whenever we travel to the Boston area, we stay at The Captain's House in Rockport, and this time was no exception. Our favorite B& B in the entire world, The Captain's House, (located on Marmion Way), has a backyard overlooking the Atlantic Ocean. The sunsets and sunrises are equally marvelous, and although we were too busy to enjoy the sunrise this year, we did find time to take numerous walks along the Old Garden Path om between our travels back and forth to Cambridge.

The Old Garden Path is Rockport's answer to Newport Rhode Island's Ocean Drive. In truth , I much prefer the simplicity of design of the "cottages" along the Old Garden Path to the huge mansions along Ocean Drive in Newport. They all have beautifully tended gardens and many have a feeling of yesteryear, when life was simpler and preparing a fisherman or sea captain's catch for supper was the highest priority of the day.

I wove my way down to the very end of Old Garden Path Road, where the little path turns up over the rocks to the point called the Headlands, which provides a grand view of the lovely little town of Rockport and Bearskin Neck. If you look carefully, you can see Motif#1 in the distance.



So I set up my easel and painted this little quickie of the seaside house at the end of the path, flanked by the headlands on  one side and the Atlantic Ocean on the other side. What a lovely place to spend a few morning hours!

The weather was perfect and as usual, I could only wish I had more time to enjoy this lovely little seaside town on the North Shore!

I've done many paintings of this lovely area; if you have any interest in my Cape Ann paintings, please send me an email at maryannejacobsen@aol.com.

Saturday, May 23, 2015

"An Afternoon at China Cove", 12x12 , oil, California landscapes, MAryanne Jacobsen art, Point Lobos, China Cove, impressionism, colorist art

"An Afternoon at China Cove", 12x12 , oil

Beautiful is the only way I came describe the dreamy waters of China Cove, in Point Lobos. The water in the cove ranges from emerald to teal and falls into a violet blue in the deeper waters. The light in California is soft, calming and slightly cool compared to  what I am used to here in Southwest Florida, where the light is usually quite warm, and harsh  in its brightness.

The seals were out on the beach lazing about on the day that I visited last month. It was helpful to paint there that day, because once you paint in a location, you remember those subtle qualities of the scene, that you would never get in a photograph. There was some really magical reflected light on the rocks near the keyholes- light reflecting off the water.

I painted this with palette knife and brush and I hope you enjoy it!

Tuesday, May 12, 2015

"Les Petites Barre Belles", 9x12, oil on panel, ballerinas, little dancers, tiny tot ballet, tutus, tuile, ribbons and bows, little girls, dance recitals, Maryanne Jacobsen art

"Les Petites Barre Belles", 9x12, oil on panel

I painted these little ladies once before, but decided to do another one recently.

I remember the days when I had my dance studio. The little girls and their moms just adored recital time, when they got to don colorful tutus, put feathers and ribbons in their hair, and put on grown-up make-up for a few hours.

I miss the fun of those recitals, but I don't miss all the work that went into making them a success.

I hope you enjoy  my little dancers!

Saturday, May 09, 2015

"The Scent of Summer", 12x16, oil, flowers, pink, impasto, impressionism, palette knife, roses, Maryanne Jacobsen art

"The Scent of Summer", 12x16, oil

I had fun experimenting with this painting. I kept wiping out the work I had done when I wasn't happy with it and going over the top with something new. Wiping out was something I got used to hearing about at PACE15. In fact, instead of thinking of wiping out as being a result of making mistakes, it's often a technique that seasoned artists use to get some nice softening effects.

I forget what this is called. Though I know it has a name!

I also used a limited palette of two yellows, two reds and two blues. It does make for a nice harmonic sound, and I do see unity in the work above.

Anyhow, I enjoyed playing with this one and kept the impasto for the end- in the flowers, of course.