"October Morning", 12x16, oil on board, Chester County, Pennsylvania, Chadds Ford, Nielsen estate, farms, barns, fall foliage, Brandywine Valley plein air

"October Morning", 12x16, oil on board

This is another painting that I did during Plein Air Brandywine Valley. It was actually my favorite of the four because I truly enjoyed the painting experience on that lovely sunny, crisp October morning. I had worn layers of clothing because of how cold it had been the day before, but found myself stripping the layers off one by one as the morning progressed and the temperatures rose.

 Yikes! By 11Am it was darned near warm!!!!!!!

This one was also painted at the Nielsen Estate in Chadds Ford. (See my previous post here. )

It is such a joy for me to be able to experience different climates, different vegetation and hence the different challenges to my palette, values, etc. Compared to Florida, the northeastern skies are cooler, grayer, and the contrast is much more subtle than here in Florida. So I truly learn through these Paint-outs and hope I'll be able to continue to do them in the years to come.

If you have any interest in this painting, just send me an email at maryannejacobsen@aol.com.

"Prime Time", 9x12, oil on board, plein air Brandywine Valley, Chadds Ford, Pa., Winterthur, Andrew Wyeth country, fall foliage, Pennsylvania landscapes, twisted trees, autumn

"Prime Time", 9x12, oil on board

I just returned from Pennsylvania where I participated in  the Plein Air Brandywine Valley art competition and sale to benefit Children's Beach House in Wilmington , Delaware. It was my second year of doing this competition and every year is wonderful because of the exceptional places that the artists are allowed to paint. People generously offer to open up their private estates to the artists, where we can paint vistas of horses, donkeys, old barns, classic Pennsylvania fieldstone farmhouses, hay stacks and much more.

It's a beautiful time of year, with the fall foliage at full peak. Hence the name of the painting above which was painted at the Nielsen estate in Chadds Ford, Pa., home to generations of Wyeth families. I was drawn to the interesting shape of the twisted tree as well as the companion tree on the other side of the winding path, which was in full fall gala garb!

The week of painting culminates in a gala, held at the Winterthur Museum, where people who purchase tickets can choose from literally dozens or gorgeous plein air paintings available for purchase.

Unfortunately, I only painted 4 paintings this year, since two of the days were cold and rainy and I have Raynaud's disease, which is a circulatory problem that prevents me from going outdoors in cold and damp weather. But I was happy with the paintings that I did on Monday and Tuesday, and one of them was purchased by a collector.

Here I am posing in front of my paintings at the gala.

I'll be posting more of the work that I did last week over the next few days. Happy Halloween!

"Autumn Fugue at Winterthur", 14x11, oil on board, plein air, fall foliage, autumn landscapes, Winterthur Museum, Brandywine Valley art

"Autumn Fugue at Winterthur", 14x11, oil on board, plein air

This was painted last week on a cold morning at the Winterthur Museum for the Plein Air Brandywine Valley Paint-Out. I was standing on a slope and my easel blew over a couple times until I finally moved it onto the tram path, which was level. This meant I had to move the easel every time a tram or bus went by, which was basically every 15 minutes. I was attracted to the little gazebo up on the hill as a focal point, as well as the strong contrast of light and shadow patterns. Over all, I was really happy with the way it came out, as the autumn foliage really inspired me to push the palette more than I have been doing recently. Here is what it looked like when It was hanging in the show:

  Unfortunately, whoever shipped it back to me from Wilmington, had no clue how to ship a wet painting. Since this was painted with a palette knife, the paint was extremely thick to begin with. Common sense should have told the person that nothing should come in contact with the paint, but maybe the person didn't realize that the painting could be ruined by contact with heavy paper. At any rate, the painting had been wrapped snugly in brown paper and there was paint all over the paper and the frame when I received it today. Throughout the painting the thick impasto was either smeared or gone!I was really upset because I had worked so hard on the painting at Winterthur. Yet it was truly my own fault, too, since I had not given better instructions on how to ship it back!

So I took it out of the frame, cleaned up the frame and set about to repair it. It does not have the same freshness of the original painting, but I am still happy that I was able to rescue it somewhat. If you are interested in purchasing the painting, just send me an email at maryannejacobsen@aol.com.

The grounds of the Winterthur Museum are gorgeous all year long, and it was a treat to be allowed to paint on this beautiful property. Founded by Henry Francis du Pont, Winterthur (pronounced “winter-tour”) is the premier museum of American decorative arts, reflecting both early America and the du Pont family’s life here. Its 60-acre naturalistic garden is among the country’s best, and its research library serves scholars from around the world. Please check out their website and be sure to visit if you are ever int he Wilmington , Delaware area.