"Misty Morning, Cortez Fishing Village", 11x14, oil on linen, award-winning paintings, Blue ribbon, fishing village, Cortez Village, Old Florida, old boats, fog, mist, fishing boats, Maryanne Jacobsen art

"Misty Morning, Cortez Fishing Village", 11x14, oil on linen

I was very happy to recently receive a First Place Award for my painting, "Misty Morning, Cortez Fishing Village", at the Englewood Art Center, a division of the Ringling College of Art and Education.

The origin of the painting goes back to a grey foggy morning when I gathered with a group of painters to paint scenes at the Cortez Fishing Village in Cortez Florida.

Cortez is a very popular spot for plein air painters, as it has the most delightful old fishing boats and scenes of Old Florida, not to mention The Starfish Grill on the Water, where artists can congregate after a happy day of painting on the rickety old piers.

This painting is available for purchase. Send me an email at maryannejacobsen@aol.com if you are interested.

"Grey Morning, Cortez fishing village", 11x14, oil on panel, paintings of boats, fog, old fishing boats, Cortez, Florida

"Grey Morning, Cortez fishing village", 11x14, oil on panel

For plein air painters in southwest  Florida, the tiny fishing village of Cortez is a little jewel tucked into the larger town of Bradenton on the Gulf of Mexico.  With a rich history, the tiny maritime town is only a few blocks long. Dozens of old fishing vessels bob up and town on the sleepy waters of the intracoastal and the ever popular Starfish and Company restaurant does a booming business during snowbird season.

Recently I spent the day there during a wonderful workshop with the incredibly talented plein air artist, Mark Boedges. We watched Mark paint on a foggy morning and by afternoon the skies had cleared and the dozen or so artists attending the workshop were free to paint on their own. I'll post the painting that I did in the afternoon over the next day or so, but here is the one I was really proud of, because it captured the atmosphere of the fog lifting that morning.

Mark has a way of softening his edges that is truly remarkable, and every single stroke that he puts down is very thoughtful. I think passive learning is very important for every artist, and the experience of watching Mark paint this same scene gave me the courage to try it as well. You can visit Mark's website here, to see his gorgeous paintings.

"Misty Morning, Southwest Harbor", plein air, Claremont Hotel, croquet, Southwest Harbor Maine,

"Misty Morning, Southwest Harbor", 9x12, oil on board,  plein air oil sketch

Last week after the Castine Plein Air Festival, my husband and I decided to spend a few days at Southwest Harbor, Maine. Southwest Harbor is a sleepy but lovely little area about 15 minutes south of Bar Harbor and Acadia National Park. We stayed once again at the lovely olf Claremont Hotel, a grand old hotel that helped put Bar Harbor and Maine on the map as a vacation destination in the late 1800's. The hotel is beautifully situated at the mouth of Somes Sound, the east coast's only fjord.

The hotel looks over the Sound to Mt. Desert Island and it is truly a magical expereince to watch the mist lift from the sound and the land mass appear in the early morning hours.

The week we were there was the week of the annual croquet tournament, and the croquet players were practicing with amazing concentration the morning that I set up to paint on the porch. You can see some of them in my photos below:

The painting came together pretty quickly once there was enough light on the porch for me to see what I was painting!

There are beautiful hanging pots of begonias all over the porch and I would highly recommend this lovely traditional old dame of a hotel over any of the Bed and Breakfasts in Bar Harbor. A full breakfast is included and there is even a gent on the premises who will give you some croquet tips!
 Here is a photo of the back of the Claremont on a misty afternoon. I was standing at the boat house when I took the photo, and you can have lunch or drinks there in front of a roaring fire.

For more info about The Claremont, you can just follow the link. To see another painting of the Claremont croquet lawn that I did  a while back, please go here. And if you are interested in purchasing this plein air oil sketch, just send me an email at maryannejacobsen@aol.com.

"Croquet Lawn at The Claremont", 11x14, oil on linen- Claremont Hotel, Southwest Harbor Maine, vacations in Maine, lovely places to stay, impressionist paintings of Maine

"Croquet Lawn at The Claremont", 11x14, oil on linen

 Last summer we had a lovely vacation up in Maine, and one of the highlights of our trip was a short stay at The Claremont Hotel in Southwest Harbor, near Acadia National Park and just 15 minutes south of Bar Harbor.

My husband had told the kind lady at The Tourist Center that his wife was an artist and that we were looking for an 'artsy' place to stay for a few nights. Since it was the height of tourist season I wasn't very optimistic that my dreams would come true, but that's where I was  wrong.

When we arrived at the Claremont that night, the sun was about to set, and it was very foggy and pretty cold for my thinned -out Florida blood. We immediately went down to the boathouse for a drink near the fireplace, and there we were told that this was where Barack Obama had had lunch with his family during their Maine vacation the year before.

Although I was not particularly impressed with that information, I was very much impressed with the beauty of the Claremont Hotel, which was directly up the hill from the boathouse and swathed in swirling tendrils of fog.

We enjoyed a comfortable room with fireplace, and the next morning arose at the crack of dawn so I could go down to the boat ramp and paint. (If you see a tiny speck at the bottom of the ramp, next to the boat house, that's me painting!)

Imagine my surprise to see that as the fog burned off, the gently curving crests of the mountains on the other side of Somes Sound were revealed, the Sound being the only natural Fjord in the United States.

I painted carefully trying to understand this strange light condition that is so very different from Florida where the shadows are generally cool and the light warm. Here, with the fog still lifting, it was the opposite. If you would like to see the plein air painting that I did that day, here is the link.

Over the next few days we continued to marvel at our luck in finding such a lovely place to stay, where a generous breakfast was served each morning in a lovely dining room overlooking the Sound.

One evening a brief shower came up as we were having dinner and a double rainbow appeared in the sky!

The painting above is one of the cottages that are on the property , just beyond the croquet lawn, where believe it or not, guests can enjoy a good old-fashioned game of croquet during their Claremont stay! Here's the photo of the cottage and croquet lawn:

My challenge in the painting was to capture that elusive light temperature, where the shadows are somewhat warm and yet becoming somewhat cool, and the light is neutral.

I do hope to go back there again sometime. It was one of the most relaxingly lovely hotels that we have ever stayed at. If you do go yourself, be sure to make dinner reservations at The Red Sky restaurant, which was another winner in my book!


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Foggy day plein air, alla prima

SOLD

Foggy day at Turtle Beach, 9x12, oil on canvas

Thursday my plein air group meets and this morning I awoke to drizzle, fog and very chilly temperatures. (By Florida standards at least!) In addition, an irrigation pipe in my lawn had broken during the night so I had to call a plumber at 7 in the morning to come out and fix it.

By the time he left I was an hour late and the drizzling and fog made me feel like jumping back into bed and pulling the covers up to my chin. Instead, I forced myself to pack up my junk and go out and I'm glad I did.

I am not a painter who likes to paint when the sun isn't shining. First of all , it's hard. Everything appears flat without shadows and highlights and the values all seem to blend together. However, Richard Schmid has said that a cloudy overcast day is his favorite kind of day to paint plein air, because you don't have to worry about constantly changing light. He is right, and for once I felt relaxed, because I knew I could paint the scene without a drastic light change.

Today, I just found myself relaxing under the palm trees and listening to an animated conversation going on all around me among cranes, an owl, doves and many other loud-mouthed birds. It was just what I needed. It was also nice to do a landscape after struggling with paintings of dancers all week. I needed the break. I like the way this one came out. I don't usually use many earth colors in my landscapes, but pitting a cool burnt sienna against a warm transparent oxide red created a subtle soft effect and helped create the feeling of a foggy atmosphere in this painting. Here is the scene that I painted. The seagrass just kept stretching out to the beach and the horizon line was non-existent today. I'll definitely want to try this again.