"Peaches and Cream", 16x20, oil on linen
This lovely floral was painted a while back and also received an honorable mention in an exhibit.
It would make a lovely gift for Mother's Day and is also available framed. Please send me an email at maryannejacobsen@aol.com if you would like purchasing information.
Showing posts with label Mother's Day gifts. Show all posts
Showing posts with label Mother's Day gifts. Show all posts
Friday, May 04, 2018
Tuesday, April 24, 2012
"Juicy Fruits", 5x7, oil on linen on panel, pears, grapes
SOLD
"Juicy Fruits", 5x7, oil on linen on panel
This painting is a study in using specific colors and is a continuation of the Limited Palette Challenge that I joined over the weekend. In this challenge, I used only white, cad yellow medium (Gamblin), Alizarin Crimson, Ultramarine Blue and Gamblins's transparent Chromatic black.
It was quite challenging for me to try to get a vibrant red from this cold, fugitive red (Alizarin Crimson) and the impure, orangey yellow that I had to use. In the end, I had to be satisfied with much less vibrant colors than I'm used to.
However, I've been learning a lot from working from a limited palette and I would encourage all my artist friends to try it too! You can join the Limited Palette Group that is posting on Facebook here.
It's a great opportunity to mix color combinations that you would not normally use, and the color harmony achieved is a great plus! The challenge began as a result of Ken Auster's demo at the 1st annual plein air convention held recently in Las Vegas. The colors I used above are the colors that Ken used in his demo.
"Juicy Fruits", 5x7, oil on linen on panel
This painting is a study in using specific colors and is a continuation of the Limited Palette Challenge that I joined over the weekend. In this challenge, I used only white, cad yellow medium (Gamblin), Alizarin Crimson, Ultramarine Blue and Gamblins's transparent Chromatic black.
It was quite challenging for me to try to get a vibrant red from this cold, fugitive red (Alizarin Crimson) and the impure, orangey yellow that I had to use. In the end, I had to be satisfied with much less vibrant colors than I'm used to.
However, I've been learning a lot from working from a limited palette and I would encourage all my artist friends to try it too! You can join the Limited Palette Group that is posting on Facebook here.
It's a great opportunity to mix color combinations that you would not normally use, and the color harmony achieved is a great plus! The challenge began as a result of Ken Auster's demo at the 1st annual plein air convention held recently in Las Vegas. The colors I used above are the colors that Ken used in his demo.
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