"Friends and Neighbors", 10x20, oil on linen
Sometimes I think it is important for me to paint something that is more in line with the classical tradition.
I tend to prefer "looser" work, but I much admire the artists who render so beautifully fruits , flowers and vases in the tradition of the Old Masters. This was my attempt at a "serious" painting. and while I am serious about all my work, I hope you all know what I mean!
Showing posts with label pears. Show all posts
Showing posts with label pears. Show all posts
Thursday, February 07, 2019
Wednesday, April 20, 2016
"Les Fruits et Fleurs", 12x16, oil on linen, coral, mardi gras roses, apples, pears, floral art, Maryanne Jacobsen original painting oil
"Les Fruits et Fleurs", 12x16, oil on linen
I have fallen in love with these coral-colored roses. Sometimes referred to as "Mardi Gras" roses they certainly feel festive. I tried to keep them subdued in this painting, and like the way it turned out.
Thanks for checking in!
I have fallen in love with these coral-colored roses. Sometimes referred to as "Mardi Gras" roses they certainly feel festive. I tried to keep them subdued in this painting, and like the way it turned out.
Thanks for checking in!
Sunday, January 25, 2015
Days of Wine and Roses, 10x20, oil on linen, wine roses, pears, grapes, floral, Galerie du Soleil
I painted this one recently from life and found it challenging. The grapes, the wine glass, the roses- nothing about this painting came together easily for me.
Did you ever notice that that's how it is with art? Some pieces sort of fall together without effort and then there are those that we just persevere with until we get a somewhat satisfying outcome.
At least I was happy with this outcome after messing with it a few thousand times.
"Days of Wine and Roses" is available through Galerie du Soleil.
Labels:
10x20,
Days of Wine and Roses,
floral,
grapes,
oil on linen,
pears,
wine roses
Saturday, March 22, 2014
"Bartlett Pears with Grapes, 12x16, oil on board
"Bartlett Pears with Grapes, 12x16, oil on board
I've enjoyed working on a couple "academic" pieces this week. Here's one of them.
I concentrated on values and edges on this one. In retrospect, this study would have looked dynamic with a white tablecloth, but I wasn't thinking about the colors of the tablecloth when I started it.
It was a good effort and I'm happy with it.
I've enjoyed working on a couple "academic" pieces this week. Here's one of them.
I concentrated on values and edges on this one. In retrospect, this study would have looked dynamic with a white tablecloth, but I wasn't thinking about the colors of the tablecloth when I started it.
It was a good effort and I'm happy with it.
Wednesday, December 11, 2013
"Grapes And Pears"- 5x7 oil on panel, grapes, pears, small still life, tasteful gifts, miniature paintings, holiday art, little gems, Maryanne Jacobsen
SOLD
"Grapes And Pears"- 5x7 oil on panel
This lovely little still life would make a special gift for someone who can appreciate the art of giving art!
Painted with a limited palette, the subtle tones mesh together beautifully to create a gift that will last a lifetime, and which can be displayed with ease in anything from a small office to a spacious country kitchen setting. The wide gold frame is available as well at extra cost.
Please contact me at maryannejacobsen@aol.com to purchase this lovely painting for someone special on your holiday gift list..
"Grapes And Pears"- 5x7 oil on panel
This lovely little still life would make a special gift for someone who can appreciate the art of giving art!
Painted with a limited palette, the subtle tones mesh together beautifully to create a gift that will last a lifetime, and which can be displayed with ease in anything from a small office to a spacious country kitchen setting. The wide gold frame is available as well at extra cost.
Please contact me at maryannejacobsen@aol.com to purchase this lovely painting for someone special on your holiday gift list..
Friday, March 08, 2013
"Goldilocks and the Two Pears", 12x24, oil, sunflowers, pears, apple, purple grapes, still life
SOLD
"Goldilocks and the Two Pears", 12x24, oil on wrapped canvas
This is a recent commission that was to be similar to my painting, "Sleepyheads with Fruit", which sold some time back. Whenever I am asked to do a commission of a painting that I have already done, I become very worried since I know I can never replicate exactly something that I've done before. In this case, rather than sit there and worry about it, the first order of the day was to go out and find sunflowers for the set-up.
I quickly discovered that sunflowers must be out of season since all I saw were an abundance of tulips, hydrangeas and other spring-like flowers. I finally found a store that had sunflowers but they were very different from the ones I had used for "Sleepyheads with Fruit" which had big, dark brown centers. You can see the two different set-ups below.
Above is my set-up for "Goldilocks and the Two Pears". Below was the set-up for "Sleepyheads with Fruit":
I definitely preferred the flowers I had purchased the first time around, but there wasn't much I could do about it, other than copy from a photograph, which I didn't want to do!
I finally opted to go somewhere in between the two and made the centers darker than the ochre ones I had purchased, but less dark than the ones for the first set-up.
Recently, I went to my hairdresser and told her that I didn't like my last hair cut. I showed her photos of how my hair had looked when she first cut and shaped it back in the fall and told her that I wanted her to do the exact same cut again. After an hour of the silent treatment (very unusual for this gregarious young hairdresser!), Lanka finally turned around and said to me angrily in her cute Russian accent, "How would you like it if I asked you to paint the same painting exactly the same way again?"
I totally get it now. Sigh.
"Goldilocks and the Two Pears", 12x24, oil on wrapped canvas
This is a recent commission that was to be similar to my painting, "Sleepyheads with Fruit", which sold some time back. Whenever I am asked to do a commission of a painting that I have already done, I become very worried since I know I can never replicate exactly something that I've done before. In this case, rather than sit there and worry about it, the first order of the day was to go out and find sunflowers for the set-up.
I quickly discovered that sunflowers must be out of season since all I saw were an abundance of tulips, hydrangeas and other spring-like flowers. I finally found a store that had sunflowers but they were very different from the ones I had used for "Sleepyheads with Fruit" which had big, dark brown centers. You can see the two different set-ups below.
Above is my set-up for "Goldilocks and the Two Pears". Below was the set-up for "Sleepyheads with Fruit":
I definitely preferred the flowers I had purchased the first time around, but there wasn't much I could do about it, other than copy from a photograph, which I didn't want to do!
I finally opted to go somewhere in between the two and made the centers darker than the ochre ones I had purchased, but less dark than the ones for the first set-up.
Recently, I went to my hairdresser and told her that I didn't like my last hair cut. I showed her photos of how my hair had looked when she first cut and shaped it back in the fall and told her that I wanted her to do the exact same cut again. After an hour of the silent treatment (very unusual for this gregarious young hairdresser!), Lanka finally turned around and said to me angrily in her cute Russian accent, "How would you like it if I asked you to paint the same painting exactly the same way again?"
I totally get it now. Sigh.
Tuesday, April 24, 2012
"Juicy Fruits", 5x7, oil on linen on panel, pears, grapes
SOLD
"Juicy Fruits", 5x7, oil on linen on panel
This painting is a study in using specific colors and is a continuation of the Limited Palette Challenge that I joined over the weekend. In this challenge, I used only white, cad yellow medium (Gamblin), Alizarin Crimson, Ultramarine Blue and Gamblins's transparent Chromatic black.
It was quite challenging for me to try to get a vibrant red from this cold, fugitive red (Alizarin Crimson) and the impure, orangey yellow that I had to use. In the end, I had to be satisfied with much less vibrant colors than I'm used to.
However, I've been learning a lot from working from a limited palette and I would encourage all my artist friends to try it too! You can join the Limited Palette Group that is posting on Facebook here.
It's a great opportunity to mix color combinations that you would not normally use, and the color harmony achieved is a great plus! The challenge began as a result of Ken Auster's demo at the 1st annual plein air convention held recently in Las Vegas. The colors I used above are the colors that Ken used in his demo.
"Juicy Fruits", 5x7, oil on linen on panel
This painting is a study in using specific colors and is a continuation of the Limited Palette Challenge that I joined over the weekend. In this challenge, I used only white, cad yellow medium (Gamblin), Alizarin Crimson, Ultramarine Blue and Gamblins's transparent Chromatic black.
It was quite challenging for me to try to get a vibrant red from this cold, fugitive red (Alizarin Crimson) and the impure, orangey yellow that I had to use. In the end, I had to be satisfied with much less vibrant colors than I'm used to.
However, I've been learning a lot from working from a limited palette and I would encourage all my artist friends to try it too! You can join the Limited Palette Group that is posting on Facebook here.
It's a great opportunity to mix color combinations that you would not normally use, and the color harmony achieved is a great plus! The challenge began as a result of Ken Auster's demo at the 1st annual plein air convention held recently in Las Vegas. The colors I used above are the colors that Ken used in his demo.
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