"Summer Moonrise", 12x24, oil on board (please click on the painting to better see the texture within)
If you read my blog, you'll know that I have an ongoing love for eucalyptus trees. They have a lyrical quality in the way they nod carry themselves- sometimes nodding their heads like naughty children and more often then not curling and twisting like a dancer performing a strange adagio.
This is another painting of a eucalyptus cluster. it was painted on a board and has soft muted colors and texture throughout.
Feel free to contact me at maryannejacobsen@aol.com, if you are interested in this painting.
Tuesday, September 25, 2018
Friday, September 14, 2018
"Prairie Gal", 16x16, oil on wrapped canvas, women in hats, green shawl, Spanish Point, Light and shadow, Maryanne Jacobsen Fine Art
"Prairie Gal", 16x16, oil on wrapped canvas
This beautiful gal modeled for a group of us artists a few years back at Historic Spanish Point, in Osprey, Florida. She stood against the door of the old boathouse, just as the afternoon sun was sending wonderful diagonal patterns against the shadowed walls. A piece of light from her white blouse reflected back up into the underside of her nose, and the effect was captivating.
I knew I'd get around to painting her again eventually. Just surprised that it took about 5 years!
For additional information about this painting, email me at maryannejacobsen@aol.com.
This beautiful gal modeled for a group of us artists a few years back at Historic Spanish Point, in Osprey, Florida. She stood against the door of the old boathouse, just as the afternoon sun was sending wonderful diagonal patterns against the shadowed walls. A piece of light from her white blouse reflected back up into the underside of her nose, and the effect was captivating.
I knew I'd get around to painting her again eventually. Just surprised that it took about 5 years!
For additional information about this painting, email me at maryannejacobsen@aol.com.
Tuesday, September 11, 2018
"Island Walkers", 28x16, oil on board, Monhegan Island, misty mornings, morning walk, Maine art, islands in the Atlantic, Maryanne Jacobsen art
"Island Walkers", 28x16, oil on board (Note: If you click on the image you can better see the brushwork.)
This is a painting of well-worn path on Monhegan Island, off the coast of Maine. The island is a special, almost magical place. I've only been there twice, but those visits left me with abundant memories of the island's quirky character and raw beauty.
This was painted from a photograph that I took one misty, June morning. The lilacs were blooming everywhere and a bed of red tulips drew my attention as the reds stood out vibrantly in the low contrast atmosphere.
Please contact me at maryannejacobsen@aol.com if you would like more information about the painting.
This is a painting of well-worn path on Monhegan Island, off the coast of Maine. The island is a special, almost magical place. I've only been there twice, but those visits left me with abundant memories of the island's quirky character and raw beauty.
This was painted from a photograph that I took one misty, June morning. The lilacs were blooming everywhere and a bed of red tulips drew my attention as the reds stood out vibrantly in the low contrast atmosphere.
Please contact me at maryannejacobsen@aol.com if you would like more information about the painting.
Friday, September 07, 2018
"Periwinkle Hydrangeas and Plums", 12x16, oil on copper panel, hydrangea, paintings on copper, impasto florals, sunflower paintings, paintings with texture, Maryanne Jacobsen art
"Periwinkle Hydrangeas and Plums", 12x16, oil on copper panel (Note: If you click on the image, you can better see the impasto in the painting)
This summer I have done some additional experimentation with painting on copper panels. There is a wonderful patina that peeks through the painting in the areas that you don't paint. Sort of like a warm underpainting, only better. The problem with painting on copper is that it is slippery and the paint does not adhere to it the way it would to a canvas or linen panel. That being said, I enjoy the challenge of the slippery surface and feel as though I am getting better at handling it.
The painting above was painted with mostly a palette knife, so it's loaded with thick impasto, adding to the special effects of the copper!
I set up the still life on my lanai (Florida word for (patio), and finished it in my air-conditioned studio.
Here's my set-up:
I am thinking that I'll do a few more florals on copper before I use the copper for figurative work.
If you would like to purchase this painting, it is available through Gallery444 in San Francisco. Phone number is (415) 434-4477. Thanks for looking!
This summer I have done some additional experimentation with painting on copper panels. There is a wonderful patina that peeks through the painting in the areas that you don't paint. Sort of like a warm underpainting, only better. The problem with painting on copper is that it is slippery and the paint does not adhere to it the way it would to a canvas or linen panel. That being said, I enjoy the challenge of the slippery surface and feel as though I am getting better at handling it.
The painting above was painted with mostly a palette knife, so it's loaded with thick impasto, adding to the special effects of the copper!
I set up the still life on my lanai (Florida word for (patio), and finished it in my air-conditioned studio.
Here's my set-up:
I am thinking that I'll do a few more florals on copper before I use the copper for figurative work.
If you would like to purchase this painting, it is available through Gallery444 in San Francisco. Phone number is (415) 434-4477. Thanks for looking!
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