Thursday, April 26, 2012

"La Bicyclette", 12x16, oil on board-paintings of Lacoste, Provence, palette knife, bicycle, A Good Year

SOLD
"La Bicyclette", 12x16, oil on board (Note- Please click on the image in order to see the impasto clearly.)

A modern day bicycle, sits against a crumbling wall in an ancient village in Provence. Numbering under 500 inhabitants, the streets of Lacoste are deserted right now,  as  it's that magical time of day when Provencal folk either nap, eat, drink, argue in a pub or have sex, "under the roof".

La Bicyclette waits patiently for the return of its owner who will meander down the cobblestone paths  any minute now, smiling at a distant memory and emerging with his face slightly flushed after polishing off a bottle of old red straight from the vineyard of Max Skinner, and which he imbibed alfresco-style at the lovely Cafe de France in the heart of the village.

If you have no idea what I'm talking about, then go watch "A Good Year" with Russell Crowe and the stunningly beautiful Marion Cotillard. You'll fall in love with Provence and it's ancient villages, and crumbling walls and purple valleys nestled in the heart of the Luberon and in the shadow of the Vaucluse.

Lacoste is truly ancient, crumbling, mysterious and exotic all at once. Forget the Marquis de Sade and his crumbling castle; the view from the Cafe de France of the Luberon valley and the neighboring village of Bonnieux is enough to make your heart do somersaults, as is most of the scenery in the area.

I painted this quickly with a palette knife, listening to a combo of "shuffled" music on Pandora that included Cafe France, Rod Stewart and the Gypsy Kings. The only thing missing was a bottle of old red.


Tuesday, April 24, 2012

"Juicy Fruits", 5x7, oil on linen on panel, pears, grapes

SOLD
"Juicy Fruits", 5x7, oil on linen on panel


This painting is a study in using specific colors and is a continuation of the Limited Palette Challenge that I joined over the weekend. In this challenge, I used only white, cad yellow medium (Gamblin), Alizarin Crimson, Ultramarine Blue and Gamblins's transparent Chromatic black.

It was quite challenging for me to try to get a vibrant red from this cold, fugitive red (Alizarin Crimson) and the impure, orangey yellow that I had to use. In the end, I had to be satisfied with much less vibrant colors than I'm used to.

However, I've been learning a lot from working from a limited palette and I would encourage all my artist friends to try it too! You can join the Limited Palette Group that is posting on Facebook here.

It's a great opportunity to mix color combinations that you would not normally use, and the color harmony achieved is a great plus! The challenge began as a result of Ken Auster's demo at the 1st annual plein air convention held recently in Las Vegas. The colors I used above are the colors that Ken used in his demo.

Sunday, April 22, 2012

"Summer in Zion", 8x10, oil on board by Maryanne Jacobsen, Zion National park oil painting, small painting of Zion, mountains, streams, rivers

SOLD
"Summer in Zion", 8x10, oil on board by Maryanne Jacobsen

During the recent plein air convention in Las Vegas, a theme that got a lot of attention was painting with a limited palette. For me, that's not easy because I just love color. I love looking at the fresh,  clean color when it comes out of the tube and I love seeing how it looks on the canvas.

Nonetheless, I took the limited palette challenge that's happening on Facebook and painted this with only 4 colors plus white. I used only white, Alizarin crimson, Cad yellow pale, ultramarine blue and windsor green.

While this experiment was challenging for me, I do like the color harmony it produced.


Saturday, April 21, 2012

SOLD"Into the Wind", 8x8, oil on board, by Maryanne Jacobsen

I painted this little scene after returning home from a vacation in Maine, where I was inspired by all the diversity of boats. The painting was done with a limited palette of analogous colors on the color wheel. I chose violet, blue and green for my colors and must say I enjoyed the way this challenged me to think about mixing! The painting is available through Lorica Artworks in Andover, Massachusetts. You can reach them at (978) 470-1829 .

A big thank-you to my hubby for shooting this photo while we were on a whale watch in Bar Harbor! I've used the photo a couple times already and will probably use it again!







Thursday, April 19, 2012

"Florida Jacaranda Tree A-Bloom", 16x12, oil on canvas, paintings of jacaranda trees, purple, purple trees, exotic trees, jacaranda tree art


"Florida Jacaranda Tree A-Bloom", 16x12, oil on canvas

This started out as a plein air study of a jacaranda tree in my neighborhood. I happen to love jacarandas and since their bloom season is so short I didn't want to waste the opportunity to paint this one!

I painted the tree scene very quickly yesterday in some heavy winds and red ant mounds, and even had to go retrieve my roll of paper towels which had rolled all the way down the street in the wind!

I remembered to take a couple pics of the scene as well and here's a good image of the scene that I painted:



My plein air study was cut short by the wind but it served the purpose of helping me remember what I needed to remember for my studio piece.


I met the lady who lived in the house that I was painting. Her name is Gail and she came out to chat with me and invited me in for ice tea as well! Turns out, she is a watercolor artist! She does some lovely architectural work and I enjoyed talking to her about the differences between watercolors and oils.

All in all it was a good day yesterday, and since today was rainy in my area it afforded me a good chance to put my field study to good work!

Tuesday, April 17, 2012

"Dyna Flow", 6x6, oil on gessoboard-paintings of old cars, antique cars, small paintings of cars

SOLD
"Dyna Flow", 6x6, oil on gessoboard

This painting of this old '53 Buick is sold, but if you have a photo of an old car that you would like painted,(On canvas, of course!) just send me an email at maryannejacobsen@aol.com.

Friday, April 13, 2012

"A Glimpse of the Past", plein air, 14x11, oil on linen, old buildings, Old Florida art, paint-outs, plein air, alla prima, Florida art

"A Glimpse of the Past", plein air, 14x11, oil on linen

This past week I participated in "Paint the Town", an annual invitational paint-out that took place this year in Bradenton, Florida.

One of the suggested painting sites was the Manatee Village Historical Park, where I have painted before. I decided to go back there and paint the other side of the same old house where I'd stood and painted a few months ago. There were not many people visiting the park that afternoon and aside from the roosters crowing and a stray tiger cat who kept rubbing against my legs, it was a very peaceful place in which to paint for a few hours.

The last time I painted this old building I had toned my canvas orange and it really gave the painting a warm Floridian glow. This time, however, I decided not to tone the canvas with orange and instead used burnt sienna which cooled the scene more than I'd expected, especially since I was painting in heat and humidity and wanted that warmth to translate to the canvas, too! In the end, I was still pleased with the way that it came out and I felt that it helped a lot that I was familiar with the building and had painted it before.

The painting will be on display and available for purchase through Art Center Manatee through April 28th.

Tuesday, March 27, 2012

Cortes Study, 5x7

"Pastoral Scene after Cortes", 5x7 after Eduard Leon Cortes

From Wikipedia: Édouard Leon Cortès (1882–1969) was a French post-impressionist artist of French and Spanish ancestry. He is known as "Le Poete Parisien de la Peinture" or "the Parisian Poet of Painting" because of his diverse Paris cityscapes in a variety of weather and night settings.

I discovered Cortes a few months ago through a post on Facebook, and fell in love with his country landscapes. Although he is predominately known for his cityscapes of Paris, it was those rustic country scenes that really charmed me. I know a lot of artists who copy the Old Masters in order to learn from them. I haven't done much of this, but yesterday I decided to try my hand at doing a little copy of one of Cortes's country scenes. I learned a lot from this study and will certainly do more of these practical little studies in the future.

Here is the image of the painting that I saw on Facebook. Unfortunately, I don't know the title.

Untitled- Eduard Leon Cortes

Sunday, March 25, 2012

"Purple Haze", 10x8, oil on panel, paintings of baots, sailboats, colorful boats, riviera boats, purple

"Purple Haze", 10x8, oil on panel

I made a conscious effort to make sure that the drawing on this painting was correct. After watching Calvin Liang's demo last week, it re-enforced to me the neccesity of good drawing skills in order to have a successful painting. So I took my time with this painting and carefully sketched out the compostion in a sketch book. That actually gave me a lot of confidence because there's a lot of perspective and foreshortening going on in this scene.

Then I did exactly what Calvin did, I sketched the whole composition out again on my panel with soft charcoal before beginning the painting. I do think the painting would have been much less successful if I had not taken these initial steps. I also tried my best to soften edges, as I saw him do. I was happy with the result and the photo does not do justice to the painting.

If you read this blog, please drop me a comment about what you think my painting style is predominantly- realism, expressionism or impressionism. I am just curious what you think so please let me hear from you!

Wednesday, March 21, 2012

"Sleepyheads with fruit", 12x24, oil on hardwood by Maryanne Jacobsen

SOLD

"Sleepyheads with fruit", 12x24, oil on hardwood by Maryanne Jacobsen

Note: Please click on the photo for a better view of the brush strokes and impasto

Sometimes all it takes to awaken my creative juices is a bouquet of sunflowers in the supermarket. I lucked out today when I spied an unexpected display of fresh sunflowers in the local market, while shopping for lunch.

I took them home and decided that they would look perfect painted in a long format, which I just happened to luckily have on hand. I rummaged through the fridge, found some fresh fruit, and went to town.

When I took the flowers out of their wrapping and placed them in the vase, their little heads were drooping and they looked like they were nodding off. Hence the title!I do love sunflowers. They always make me feel happy, even when their heads are bowed.

SOLD through Gallerie Unique, Ft. Myers, Florida.






Sunday, March 18, 2012

Purple Meets Orange". 16x12, oil on linen, orange, tangerine, purple vase, grapevine, grapes, still life, Maryanne Jacobsen art

SOLD

Purple Meets Orange". 16x12, oil on linen

I think this is one of my all-time favorite still lifes that I have yet painted. I loved the way the tangerine looked against the purple vase and how fluid the grape leaves came out. This painting won a People's Choice award and just sold through Gallerie Unique.

In other news, the opening gala of The Light Chasers Exhibit was a grand success. At least 500 people attended the gala on Friday night and every single painting in the show was a winner! I was proud to be part of such a talented group of plein air painters!

On Friday morning, I drove to Naples and had the opportunity to watch Calvin Liang do a wonderful demo at The Naples Pier. I had a few questions as did the other people in the workshop and Calvin was helpful in answering our questions. He stressed the four basics for a successful painting over and over again: form, color, values and edgework. He also stressed the importance of excellent drawing skill and he took a good deal of time to map out his composition with charcoal before actually starting to paint. Calvin is one of my all-time favorite artists and to watch him work was a thrill for me. It was an extremely hot and humid day, but it was worth standing on the beach to see this master at work!

Tuesday, March 13, 2012

"The Owl and the Pussycat", 8x8, original oil on museum -quality gessoboard-nursery rhymes, paintings of owls, pussycats, moon, love songs, nocturne

SOLD S"The Owl and the Pussycat", 8x8, original oil on museum -quality gessoboard


Don't ask me what possessed me to paint this today. Other than the fact that I had runcible spoons on my brain, I have been thinking that I have been way too serious about my paintings recently and needed a little break from the world of serious.

So today I decided to delve into a place of whimsy, fantasy and memories of childhood nursery rhymes in order to create a new painting.

"The Owl and The Pussycat" was an all time favorite nursery rhyme of mine growing up, and I must say that I was duly appalled when I found out on a recent walk with my hubby that he had never heard of it. I was reciting the poem to him as we walked and he thought it was just plain funny.

"Funny?" I said. "I beg your pardon! I think it's a first rate love song!" I shrieked.

"Beg your pardon", he said quite humbled by my seriousness.

Although I always thought it was a bit suggestive for a kid's nursery rhyme, I'll always love it anyway.

Now wouldn't you just love to dine on mince and slices of quince and eat from a runcible spoon? I'd be happy just to dance by the light of the moon! (Not to mention those bong trees!)

If you are unfamiliar with this delightful little piece of prose, by Edward Lear, here goes:

The owl and the pussycat went to sea
In a beautiful peagreen boat
They took some honey and plenty of money
Wrapped up in a five-pound note.

The owl looked up to the stars above
And sang to a small guitar,
"O, lovely pussy, o pussy my love,
What a beautiful pussy you are, you are
What a beautiful pussy you are!"

Pussy said to the owl, "You elegant fowl,
How charmingly sweet you sing.
O, let us be married, too long we have tarried,
But what shall we do for a ring?"

They sailed away for a year and a day
To the land where the Bongtree grows.
And there in a wood a Piggywig stood
With a ring at the end of his nose,
His nose, his nose,
With a ring at the end of his nose.

"Dear Pig, are you willing to sell for one shilling
Your ring?" Said the Piggy, "I will."
So they took it away and were married next day
By the turkey who lives on the hill.

They dined on mince and slices of quince
Which they ate with a runcible spoon;
And hand in hand on the edge of the sand
They danced by the light of the moon,
The moon, the moon,
They danced by the light of the moon.

Postscript: a friend sent me this video today of a barn owl that looks a lot like my guy above. This video is just amazing- you've got to see this friendship between an owl and a pussycat!






Monday, March 12, 2012

"Amazing Grace", 16x20, oil on linen, award winning paintings, Maryanne Jacobsen art, form and figure

"Amazing Grace", 16x20, oil on linen by Maryanne Jacobsen

This painting won a First Place ribbon on Saturday at The Englewood Art Center's Form and Figure Exhibit. It also won a Second place ribbon in January at The Venice Art Center's Portrait and Figurative exhibit!

The reception was lovely with a string quartet and poetry readings throughout. Many people came up to me afterwards and said they loved the painting. I went on to explain the reason for the title. Eirinn Abu came to church for a Christmas concert and he played "Amazing Grace" on his saxophone. It gave me chills when I heard it, and I loved the musician's gesture as he played. So I asked permission to paint him and he said "Yes!" If you would like to hear Eirinn play "Amazing Grace, here is a link to it.

I was beyond delighted to receive my third first place ribbon in less than a year's time!



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Sunday, March 11, 2012

"Best Friends", 8x8, oil on panel, paintings of cats, black cats, tabby cats, impressionist cats

SOLD
"Best Friends", 8x8, oil on panel

I have had black cats as pets for the past 20 years and I've loved them and they are incredibly intelligent. I currently have two in the house, yet I've been afraid to try to paint them. Tonight I decided to give it a shot and "Best Friends" is the result.

I actually love the contrast of the black cat against the tabby- it's that push and pull of warm and cool, dark and light that somehow pulls it all together. I hope that you like it, too.

By the way, I saw CATS on Broadway three separate times, so one of these days I am going to sing "Memories" for you!





Saturday, March 10, 2012

Berry Pickin', 5x7, oil on panel, yellow, purple, berries, yellow bird, red berries

SOLD
"Berry Pickin' ", 5x7, oil on panel

A collector friend sent me a photo of this yellow bird with a red berry in its mouth. I have been wanting to paint it for a while now and finally had a chance to attempt it the other day. It took me two days to paint a 5x7! Needless to say, I really struggled with this one. I suppose it was the bird's angle on the branch that made it hard. I'm also trying to adjust to progressive lenses in my glasses. Every time I looked down at my palette the room would tilt on its side and I'd go to grab the palette because I thought it was rolling off the table. Because I am extremely near-sighted and far-sighted, I had thought these glasses would help my art, but now I am not so sure.